kurea... at least tell me your method of learning and practicing on improving in order to make stuff like this... like how did you improve your chord progressions?
im sorry i never wrote an actual response to this, pardon me blowing up at someone else lmao
but the way that i improved was through experimenting for a long time in the daw, and watching a ton of tutorials for other daws like ableton and trying to recreate them in audiotool. with chord progressions, i dont know theory or anything, i just write what sounds right to me personally, but alot of what i know i learned from Gavin Leeper and BVSSIC.
Time and dedication, learning about sound design, FM Synthesis, learning what the knobs and buttons do on the pulv and Heisenberg, etc. im on my way to attempt to make stuff like this. It’s gonna be one heck of a journey but I’ll make it hopefully. Slowly practicing and messing around in drafts with effects, techniques, and synthesizers
@AWENiX
She also had exported some sounds out of AT, into Serum's wavetable, making some of her basses. Though I don't know how many times she did that for this track
@AWENiX
actually, kang and i literally sat in a call doing sound design experiments specifically for this track, it was a joint effort as kurea wasn't a single producer project, in many ways kang was my other half, thus why all of his tunes on his page were shitposts.
Bruh those synths in the second drop are so incredibly well-designed. super fluid mechanical sounds... this is legit some of the best sound design i've heard on audiotool! sounds so professional. it takes me back to the days when i listened to skrillex and zomboy