I̶ ̶u̶s̶e̶d̶ ̶t̶h̶e̶ ̶C̶e̶n̶t̶r̶o̶i̶d̶ ̶t̶o̶ ̶s̶w̶i̶t̶c̶h̶ ̶L̶/̶R̶ ̶c̶h̶a̶n̶n̶e̶l̶s̶ ̶l̶o̶s̶s̶l̶e̶s̶s̶l̶y̶,̶ ̶s̶o̶ ̶n̶o̶w̶ ̶I̶ ̶c̶a̶n̶ ̶d̶o̶ ̶a̶n̶ ̶i̶n̶f̶i̶n̶i̶t̶e̶ ̶p̶i̶n̶g̶-̶p̶o̶n̶g̶ ̶d̶e̶l̶a̶y̶ ̶f̶e̶e̶d̶b̶a̶c̶k̶ ̶l̶o̶o̶p̶.̶ I used Panorama to switch L/R. There is one synth that hits six notes within the first two bars. These are the only notes; the rest of the track manipulates the delay. I mostly use filter and distortion to change the timbre and Rasselbock to change pitch. Since the feedback loop introduces a slight delay, the delay isn't exactly in sync to the tempo. This causes the rhythm of the synth hits to gradually shift, creating a more dynamic sound.

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