EWC 2025 | Production Contest

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Become a part of "Music of EWC" and get heard by 500 million viewers

What if your track became the sound of the biggest gaming event this summer?

We’re teaming up with the Esports World Cup Foundation to find bold, original producers to shape the event’s official sound.

The Music of Esports World Cup (EWC) will consist of six tracks in total: Four tracks are professional compositions which were recorded at the legendary Abbey Road Studios. The two winning tracks of this Audiotool contest will become the other two tracks of this suite of sound and be played as part of the EWC this summer.

Whether you produce the track from scratch or use one from your existing collection doesn’t matter. You will just need to submit your old track as a remix so that it complies with the guideline requiring a release date after April 26, 2025.

All styles welcome. Whether it’s cinematic, gritty, chill, or completely experimental, your sound could fuel the energy between matches at one of the most streamed events on the planet.

Think Super Bowl halftime-show energy, broadcast across millions of screens.

🏆 Prizes for the Top 2:

  • Each winner will receive a USD 10,000 Artist Development & Promotion Budget. We will hire a professional artist management agency to create a personalized strategy with you. You decide how to use the budget—promote your music, record an album or hire a booking agent. If you already have a professional management, the budget goes to them on your behalf.
  • 25 custom vinyl of your own tracks
  • NEW: DOLBY Atmos Mix of your track mastered at TYX Studios London
  • A 1-year LANDR Studio subscription for mastering & distribution
  • And, of course, massive global exposure

👆You can publish your track under CC BY-NC-SA or All Rights Reserved – your choice.

👆Existing tracks (old tracks) may be submitted but must be entered as remixes with a release date after April 26, 2025.

🎯 Deadline: June 22, 2025

👉 Enter the EWC Producer Challenge now → https://www.audiotool.com/contest/ewc_2025_producer_contest-uljtxan3y

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  • remove from sticky

  • when will the winners be announced?

  • when are they gon post who won?

  • who won?

  • DID IT ALREADY HAPPEN? did i miss it?

  • I see nothing wrong with the information that I received from the contest.

  • I really needed that extension 😩

  • time to do something brazy for this contest

  • 2:52 the space looks different

    • hopefully the frequency spectrum and the envelope can be seen at the same time instead of switching over

      also it is hard to tell but the envelope graph looks better and easier to understand (assuming that is actually the envelope)

  • I actually got something done in time. Now to make some super rushed last second entries ;)

    • I don’t think we need to mention that it’s from you for people to know that :)

    • there should be a fart preset on the sampler when it comes out. title it "naswalt" pls, audiotool

    • After seeing this video, I can surely say I have some hope left for the future of audiotool.

    6 more
  • If I use a sample but get direct consent from the copyright holder can I use it

    • Samples are generally allowed. However, when it comes to streaming on this scale, I would be even more cautious than usual, as the tracks typically need to pass digital copyright detection.

  • I can't believe how good this video is and how audiotool is getting a shout-out right from the start. I'll have my submission out shortly!

  • I'm wishing everyone in the competition good luck and do your best because I am going to make the hits, thank you all for trying good luck

  • what if i made a completed draft before april 26 but didnt publish it as a track until afterwards, or remastered it before posting it, would that be allowed?

    • The track just has to be published after April 26. It doesn’t matter when it’s made