Frabjous

Ànjel➷
347 Oct 15, 18 Other
0:00 / 3:52
20
Other

Created 10/14/18 (WwVv)

         
shelly boo
Oct 18, 18

fills and transitions, you perfected the reverb on your open hats and background percs, better than any shit i've could've done. okay your negro, done ! :))

Ànjel➷
Oct 18, 18

I actually made that open hi hat sound with a closed hh w/ full reverb.. ye. I really do appreciate the input.

shelly boo
Oct 18, 18

it's never a dull moment in this track, so for this conclusion, you have the leveling right, your mixing and mastering, kinda needs more tuning, but i've listened to this about more than 8 times to understand, so my ears are use to all the nice raw surprises you had for me. I would try to work some more hat magic, I'm not saying get exotic, start switching the pitches for this, get crazy basically. And, what else? Yeah, The pad in the background is GREAT, and I think that's all, you got amazing

Ànjel➷
Oct 18, 18

I see what you mean about the hats with different pitches. I went with a random minset when I had made this (Like almost every track I make) idk.. but it usually somehow workouts.

shelly boo
Oct 18, 18

Okay so maybe your dream-like track needs to have the saw, I don't think I would add the saw at but I get you have the compressed kick early, I don't know, that's all you. I would save the saw for the surprise , it would be a nice surprise, the bass is perfect btw. No comment there. But your main lead, kinda needs more reverb. Wait, no, it DOES need more reverb. Atleast your not like me and your constantly repubbing because your making mistakes, LOL, i'm such a klutz. Back 2 the review

shelly boo
Oct 18, 18

with this track, i would try added some minor chords and panning them from left to right, for the full 3d effect, you know what i'm saying? i wouldn't say making them loud, but the gain them down until it's there, but at the same time faint. Let's go back to the main chord and that saw

Ànjel➷
Oct 18, 18

I was thinking that but it irritates my ears and might give me a damn headache. So I'm like.. fuck it

shelly boo
Oct 18, 18

Okay, the drums are in the background, I think it's the kicks that are sound like being shuffled, not the compressed ones, those are amazeballs. You have a nice piano koto sound like, that needs more reverb. I don't think you should crush the piano koto stab/pluck part, that's just heavenly. I don't know if you did this, because I don't have headphones on, but you need the stereo enhancer and then inverse, ONLY if you think about using the crusher, and if you wanted to sound more realistic ....

shelly boo
Oct 18, 18

Let me just tell you is amazing, from the compression to how that unique lead actually fits in with everything in the song. But I do believe you should start off this song with a different sound and I would recommend using crusher. Crush all the cords, maybe even the bass, definitely not the drums, until you hear a nice dog whistle sound. If you do that, you'll hear the different type of frequencies that would make it sound dreamy. In my suggestion, yikes

shelly boo
Oct 18, 18

Okay well I'm not one to talk 'cause my music is T R A S H, but you wanted harsh crit, so please don't hate me :( Okay, so first I'm just going to tell you how I would've done it because it seems like this whole concept of this track is dream-like. So in order to achieve this goal, i would've probably picked a different sound as the main sound. (whew!) This main sound, imma call it a lead, is unique, but doesn't fit the aesthetic I think your going for. let me continue --

Ànjel➷
Oct 18, 18

You're really talented and no I don't hate you... I love you (*-*) *sniff*. I appreciate your taste of art and your perspective as well.

Ànjel➷
Oct 18, 18

I would like to know what any artist here don't like about this track or some good harsh crit. fr fr. Please.. . .. (*-*)

nexthour
Oct 17, 18

<3 i love the bass man

etterath
Oct 16, 18

this has a really nostalgic vibe to it and i love it

etterath
Oct 16, 18

this is fucking great