First Jupiter'ed: [ 20:07 , 11-02-2021]

A re-re-interpretation of Isao Tomita's electronic re-interpretation of Gustav Holst's "Jupiter, Bringer of Jolity", from his suite "The Planets".

Basically, it's an exploration of the quieter, more solemn (idk) middle part of the composition, as performed by Isao Tomita, without those low-pass/high-pass frequency filters.

This is more or less the idea behind this piece: "hey how will those chords and notes sound without all those filters?"

For context, the "quieter middle part" starts changing keys -from the C Minor of Holst's OG, then C# Minor, then D minor and finally D# minor- before settling to A Minor for the rest of the section. See: (link is only visible to registered users) (on the 3:45 mark).

I might or I might not expand upon this piece in the future, like exploring how would this piece sound in D Minor or D# Minor, for example (Tomita's interpretation of the section was in A minor, so I don't see any need for it or something).

Anyways, thank you for your time. More stuff (hopefully, even it it's just 1-second songs at this point) coming your way.

-lm35/375

Published, Tomitaed and Tomatoed: 22:00 , 11-02-2021.