Experimenting with polyrhythmics, so I like to share some comments

First section: Bass in 6 over 4, kick in 4/4

Second section: enter synth in 6 over 4 in overall bar

Third section: Synth continues, but now it´s the drums that move to 6 over 4 (there is no BPM change, in fact have 6 'kick' in a 4/4 bar so it feels more fast than before) When the synth sounded alone you can feel the 'real' timming that 6 over 4 applies to it.

[Overall structure is now in 6/4]

Section four: If you count over the first hat, you will notice the 4/4 bar over the 6 kick rhythm

Section 5: Starts with a 3/4 compass, half timed feel. Engage 6/4 again until the sudden back to 4/4 feel after the filter, entering tha last section, with the same feel of the beggining.

I hope you have fun listen to it, and maybe have learned something of this experiment. I have learned a lot making this one, and will keep on improving the studies over polyrhythms applied to psytrance.

Thanks for your patience and time! Support music!

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  • this is just crazy good

  • Criminally underrated

    • Hell yeah! Thanks for listening and for the good energy mate!

    • Dang it just keeps getting better

  • Great idea and a big sound man!!! Absolute stunning one mate!!!

    • Yeah that polyrhythms make it special! Thanks brother!

  • Republished

    Now with mastering