I saw Vizil try this a few days ago (https://www.audiotool.com/track/7kjok0s2/) and wanted to give it a go. It also reminded me of when Inavon blew my mind doing a challenge like this with a kick and then with a hi-hat (https://www.audiotool.com/track/ew_that_kick_drum/)

I turned the FS.Tone_03 oneshot into this pad, check the assets for the oneshot. I also bounced the timeline so I could slow down the pad using the machiniste, hence the hidden sample. The single Pulv in the snapshot is just there for it's audio-in feature so I could use it's envelope control to give the pad some plucks, non of the oscillators are active.

I don't use Rassel often but in this challenge it was indispensable.

In case you are wondering, there are 4 instances of the one-shot that you can hear and then at the end there is also the bounced timeline sample.

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  • How was this made on audiotool, and with only one sample and no synths!?

  • oh lord

  • I can't believe that this was made with the old reverb. I can't imagine what it'd sound like with the upgraded one

  • Beautiful, relaxing, and technically insane, great job!

  • yoooo 69th favorite B)

    oh and also cool song i guess

  • This is sending me

  • yes

  • you make the best pads i swear (regardless however theyre made, in this context)

  • Goated

  • this sdoes not sound AT made, like god damn

  • Since you don't get much feedback. I honestly think you should control the mid-high range better. It's clipping in some sections of the song.

    • It's a habit of mine.

    • @owtlet I mean, I closely observe mixdowns. If I notice something, then I'll say it.

    • I'm really nit-picky, so I apologize.

    16 more
  • Okay this made my day

    Thanks m8

  • wonderful

  • really cool love the little bitcruhsed bits that pop in and out

  • ok now it sounds great, reminds me of ps2 startup music