uhh nope. Pitch your snare slightly higher than your kick (typically producers pitch kicks or snares at the root or 5th from whatever key theyre in), and pitch your kick down so it has more subbass content; and brighten up your snare a fair bit with a pretty aggressive high-shelf :D
mixing is a mahoosive topic but an essential one regardless! The main thing that stands out to me is that, in your drop, your snare shares almost identical bass freqs with your kick, whilst simultaneously being quite dull. As a rule of thumb your snare and kick shouldnt occupy the same bandwidth in the lowend
drums are mixed pretty weird but this is great man! :D
hell yeah
Am I glad Client's in the Heis Gang!!!!
whoa HEISGANG FTW
Dude this is awesome! Idk why but i thought the word "Enimga" when this was playing
awesome sound design as always!
;-;
oh shit this is fuckign sick. I love the vibes