it's 4 layers, one extremely guttural layer (it has the formant 2 waveform being modulated by a sinewave), sub, and 2 reeses, and then I got a lowpass automation going down on everything except the sub, following each note and it's length, and then I put a multiband afterwards. There's another layer, it's a pew layer, but you can really tell it's there, it's to help with the transient of the bass, and have it be more plucky
how was the bass made though? i just assume it's two sines with one modulating the other as the base to it
at the start it sounds like it might be a saw wave? wtv i'll figure it out in the draft anyway really satisfying bass
the transient layer is definitely audible
sure that would be cool
I can send you a copy of the draft if you want
it's 4 layers, one extremely guttural layer (it has the formant 2 waveform being modulated by a sinewave), sub, and 2 reeses, and then I got a lowpass automation going down on everything except the sub, following each note and it's length, and then I put a multiband afterwards. There's another layer, it's a pew layer, but you can really tell it's there, it's to help with the transient of the bass, and have it be more plucky
the sample at the end gets me every time
Hey that's tight. Very cool!