Snowfire crafts experimental ambient soundscapes that spark unsettling, vivid visions in your mind. Subtle layers of distortion and the faint crackle of intentional artifacts give his music a haunting depth, an unmistakable signature across all of his work. Over his eight years on Audiotool, he has built a catalog that feels like a forgotten archive of strange transmissions, perfect for filmmakers and game creators working in surreal science fiction or psychological horror. He’s a genuinely distinctive artist whose work is well worth exploring.

Interview

About: Snowfire

Hello, I'm a 22 year old Juggalo from upstate South Carolina, living both close to a lot of things and nothing at the same time. I had the privilege of being able to attend Dreamhack 2023 hosted in Atlanta and got to meet a lot of really cool people I've looked up to since starting on Audiotool in the process. I play bass guitar and enjoy messing with different pedals and synths, as well as any other odd device I can get my hands on such as SOMASynth's Ether. I'm also in the process of obtaining a Media Arts Production degree, so I have experience professionally shooting video, taking photos, and editing photos, videos, and audio. Whoop Whoop!

Describe the style of music you produce

I enjoy leaning more into a darker ambient sound. It's a lot of fun playing with dissonance and creating atmospheres that affect the listener in different ways, especially if it has to do with noise. Using distorted drums and beats to compliment dissonant pads and drones is what I find to be most appealing producing wise. As far as Genre goes, I have a hard time deciding on what to categorize the majority of what I make, which is why I leave most of it as "Other".

What is your musical background and when did you start making music?

I grew up in a household with my father, my greatest inspiration for anything creative, being guitar player who was also interested in electronic music. He had old versions of Ableton and Reason that he would often mess around and create with, which kickstarted my interest in messing with DAWs. When I was little, I would experiment with Propellerhead's program Reason which gave me experience with concepts such as changing settings on synthesizers and drum machines, using wiring simulation to create interesting device combinations, as well as the concept of using a timeline to organize song structure.

Through Middle and High School, I was a part of the school's Chorus, taking part of classes going into honors classes through school till my Junior year, when I transferred to online school. Along the way, I learned a lot about both reading and writing sheet music as well as singing.

When I was around the age of thirteen/fourteen, I stumbled upon Audiotool while I was at school. I was probably bored in a class with nothing to do at the time and was looking for a way to create what I wanted to musically, having been used to using the website Noteflight for chorus class but wanting something more out of creating music online.

How long have you been using Audiotool, and how did you discover it?

My first track was released October 21st, 2017 so I started using Audiotool sometime before then, creating my account maybe a month or two before hand if I'm not mistaken. I discovered Audiotool via boredom in a highschool class in my freshmen year in looking for a better means of creating the music and sounds I wanted to create.

What is your favorite Audiotool device and why?

My go-to device is usually the Pulverisateur, mostly because it's the device I'm most familiar with setup wise. It's design mimicking popular physical synthesizers makes using the device significantly more satisfying for me, as I'm able to usually obtain the kind of sound I want from it without having to experiment as much (though I do spend a lot of time doing just that to achieve the sounds I find to be more appealing).

What is your favourite trick in AT/What technique do you always use?

I wouldn't really call it a "trick" or "technique", though the process of using a Stereo Enhancer and automating it in sporadic wild ways makes for an interesting effect on whatever sound you have, especially when paired with soft distortion or bit-crushing. (It also glitches the audio engine out if done correctly)

Have you ever had a writer's block? If so, how did you deal with it and what do you recommend to your colleagues

I have writer's block all the time, leaving me in periods of time where I don't mess with my instruments or the programs I use as often as I'd like to. That's partially why my releasing of tracks has slowed over the years, though another huge part of that has to do with problems in my personal life. To combat that, I'll take some kind of sound (whether it be chords directly from a synth or a random audio sample I create or find) and distort and contort it till it inspires me to create something around it, usually leading to weird audio textures and ambience. I also find making strange drum beats in odd time signatures to be inspiring.

What has helped you the most on Audiotool to improve and widen your musical horizon?

The biggest thing that's helped me improve is persistence, time, and the Audiotool community. If it weren't for other people on this site that inspire me and have given me tips, I probably wouldn't have fallen in love with certain kinds of sounds nor would I have had the musical interests I have today. I'm talking specifically about artists such as naswalt , Wightfall , Kibbey , no vyce (Kryptic) , shelly boo , and Sandburgen with plenty of more people I could list.

What do you like most about Audiotool? Is there anything you would like to suggest?

What I like most about Audiotool is the community aspect. If Audiotool was only the app portion of the website, I feel like the majority of people using it wouldn't have been as interested in it if they couldn't have the feedback and experience of seeing what others are able to create with the program by being able to listen to it directly and then peer into their thoughts of the creator in the comments and the draft with the snapshot to the side below. It's a very magical thing to be able to connect with everyone and anyone like this, and I wouldn't change any of it.

Your message to the community:

Create what you want to create, and don't let yourself be held back by being shy to publish something. Don't be afraid to get a little bit weird with it, and don't be afraid to put out something you don't like very much either. You never know who you might inspire with that one sound or progression or verse you didn't like. It's perfectly fine to make something that isn't for everyone, there's nothing wrong with going your own path and producing weird stuff that most people wouldn't like. Don't ever compromise your creative vision just because you think everyone else would like something else better. MCL WHOOP WHOOP :)

Social/Music Links

Soundcloud: https://www.soundcloud.com/snwfre

Edition Audiotool: Snowfire

Track #1:

Empty Promises by no vyce (Kryptic)

I'll never forget the first time I listened to the tracks from World For Us / World Of Ours, but Empty Promises really stuck with me the most out of all of them. Something about the bouncy, almost anxiety-filled beat with the chaotic lead has always been really appealing to me, though the entire track just has such an awesome progression and vibe that I find hard to put into words. All of Kryptic's work is absolutely incredible, I still find it insane that they were able to achieve such sounds at the time. Props to you and I hope you're doing awesome, hope to see more from you someday. :)

[[EMBED:https://www.audiotool.com/track/dughy9vxmhrrny9ldd9yayeuesaohoh/]]

Track #2:

confused by naswalt

It was nearly impossible to pick a track from naswalt 's catalog to include here, so I decided to go with a track that I think I listened to most out of all of them. When I was in high school, I listened to this track among practically all of his other work at the time constantly when I was riding the bus or in class, so it's no wonder I was inspired by the sound he used during this time period. I mimicked it a little in my own work for a little while and became infatuated with synthwave because of him. Meeting Naswalt during Dreamhack after looking up to him the entire time I have been using Audiotool was pretty surreal and insane, I hope you enjoyed the potatoes I gave you.

[[EMBED:https://www.audiotool.com/track/eq4nc5h64his/]]

Track #3:

Fartstep by Vulkron

I knew if I was going to be mentioning Vulkron in this at all, I would definitely be including this track. Being in discord with him while this was being produced was an unforgettable experience, and to everyone taking a trip down memory lane seeing this added onto my list, you're very welcome. Still hoping for the eventual release of the mythical Fartstep 2: Electric Boogaloo. Vulk was one of the very first friends I made through Audiotool. We got pretty close playing Fortnite on Xbox together when it first came out, and we ended up hanging out at a flea market in Florida together one time, making him the first person from Audiotool I ever met in person as well. I still remember those cool knives we were looking at, one day we'll have to go by there again.

[[EMBED:https://www.audiotool.com/track/sm4wb1p8r0fj/]]

Track #4:

Solitude by Wightfall

All of Wightfall's tracks have been influential for me in my early days of messing around on here when he was still Gray Out, so it's hard to pick one in particular when there's so many good ones. I chose this one out of all of the options because I remember it inspiring me to really open up the draft to look at how he did his sound design, the thing that especially drew my curiosity was the way he did the delay. I remember thinking it was the coolest thing ever that it was possible to create an evolving sound with long feedback delay, and still think it's a really nice effect. If you haven't checked out his work before, pretty please give Wightfall attention.

[[EMBED:https://www.audiotool.com/track/4b9qne1hdzm/]]

Track #5:

Lime by Amp7070

I still really love this track, of all of Amp7070 's tracks this is the one that's always stuck out to me most. I need to go through and listen to a lot of his newer stuff that I've missed over the past couple of years or so due to a lot of my inactivity, but when thinking about tracks that I really found to be influential to me I couldn't help but think of this one. It has a really nice smooth sound and I still have an old draft with the original vocals for it saved somewhere I should get back to. I'm really glad to see you're still publishing stuff, looking forward to giving everything a listen when I've got a chance to. :)

[[EMBED:https://www.audiotool.com/track/83mfygw1qs/]]

Track #6:

Untitled(prick/prod) by Snowfire

If I had to pick one track to represent my work, I would have to pick this one. Although it focuses more on a dark tone, I feel as though this track is one of the best I have published as far as the texturing and overall production goes, especially considering the limited amount of samples and the lack of any presets. I remember at the time of making this craving an outlet for a lot of deep gnawing feelings I was dealing with at the time as a result of things happening in my personal life, so I isolated myself and really sunk into the draft. I usually only like talking about what I put into my work till after I see what it makes other people feel first though, my favorite thing about creating atmospheric music is how other people relate to it.

[[EMBED:https://www.audiotool.com/track/jl9jtg5rg/]]

Full Album

Edition Audiotool: Snowfire

• a-records

16

3 weeks ago

1		Empty Promises no vyce (Kryptic)	no vyce (Kryptic)	736
2		confused naswalt	naswalt	2787
3		Fartstep Vulkron	Vulkron	12083
4		Solitude Wightfall	Wightfall	301
5		Lime Amp7070	Amp7070	1255
6		Untitled(prick/prod) Snowfire	Snowfire	182

Chonoes doesn’t take prisoners. If you prefer things soft and neatly pressed, you’d better turn around – or learn to appreciate that things get wild here. But this isn’t just hard-hitting. It’s playful, direct, and fiercely creative.

Chonoes comes from a real Audiotool dynasty — a young veteran who’s been part of the scene for more than nine years now. Where others play it safe, he dives headfirst into the unknown. Fearless, experimental, and unapologetically original.

Interview

About: Chonoes

I’m from Greensboro, North Carolina, and I have been on Audiotool since August 2013. My go-to pizza is bacon and mushroom.

Describe the style of music you produce

As of right now, I make a mix of dariacore and rage, with the only track I have out that sounds like it being REDROOM. I’ve also been working on making some punky shoegaze and emotional, noisy ambience. The only track I have out that’s similar to that is loss, but I hope to release more in that style in the near future. I also have a lot of side projects in the works, with my biggest one being with J Dog: Honor Amongst Crooks, which has its first album out right now, Trust Amongst Royalty. I also like to have secret side aliases on Audiotool that no one knows about. My style is still evolving and changing, and I don’t think it will ever stay the same because my main goal is to release music that contributes something or innovates within the music world.

What is your musical background and when did you start making music?

My dad was in a very active band in the ’90s for a few years and is still releasing music with the band to this day under the name Luxury. My mother sings in the church choir, and two out of my three brothers make music. My older brother, Polyspace, is my biggest role model and is now working on starting a studio, while my younger brother, itdoi, is my super silly bro-in-arms! I didn’t really develop a music taste until 2020, when I discovered 100 gecs and osquinn. That’s when I got super into hyperpop/digicore and wanted to start producing. However, I didn’t actively make music until August 11, 2023, when I was deep in my depression.

How long have you been using Audiotool, and how did you discover it?

Twelve years ago, when I was 7 years old, my family had a computer that my three brothers and I shared. Polyspace was really into Skrillex and Deadmau5 at the time and googled something like, “how to make dubstep online for free.” He scrolled through about 10 pages before finding Audiotool. One day, he sat with me to help me make an account and my first song.

What is your favorite Audiotool device and why?

The StereoOutput. It’s an original device, it’s irreplaceable, and its time of existence will slowly begin to fade away with the new studio replacing it. Yet, it has always been there through everything. It’s the Audiotool equivalent of the Scarlett Focusrite, but better. Every single song ever made on Audiotool has used it, yet no one has really acknowledged it. From tearout to lo-fi, from the trap kids to the sample kids, from Infyuthsion to po9t, from Grimebot to untitled forgotten Audiotool drafts—it’s always been there. I thought really long and hard about this question because the Audiotool devices are so iconic, but I never considered the StereoOutput. People often say the Pulverisateur, the Machiniste, or the Heisenberg make up the Audiotool sound, which is true, but really, everything owes its existence to the iconic StereoOutput.

What is your favourite trick in AT/What technique do you always use?

I think the Rasselbock is incredibly underrated. Using it in any way, in any genre, will almost always completely change the vibe or design of the song.

Have you ever had a writer's block? If so, how did you deal with it and what do you recommend to your colleagues

Early on, I had really bad writer’s block, but over time, I’ve come to the mindset that I make music for myself and no one else. The idea of whether music is good or not is irrelevant because the concept of a “good” song is so extremely subjective that it’s impossible to define. With that mindset, I’ve been able to approach all the different ways I end up in writer’s block. If I think my music isn’t good enough, I remind myself that it’s okay because I still enjoy the process of making music. If I’m bored of making music, I take a break from listening and/or producing. If I’m bored with all my songs sounding the same, I try different ways of creating or changing a song. I also strongly recommend having an alt account where you can release less serious music if you struggle with not posting enough because you hold yourself to such a high standard. It has seriously helped me become a better musician and person overall.

What has helped you the most on Audiotool to improve and widen your musical horizon?

If I ever came across a song I thought was amazing or was completely confused about how it was made, I would open up the draft and figure out what was going on. If the remix option was off, I’d look at the snapshot and try to recreate it. That’s what’s so unique about Audiotool—almost every song ever posted can be used to learn without any outside help or bias, which is what makes Audiotool artists so unique.

What do you like most about Audiotool? Is there anything you would like to suggest?

The workflow and community. Almost everyone is willing to have a great conversation with you, and Audiotool makes it super fun, easy, and exciting to get into producing. The one thing I would suggest to the Audiotool team is to remember that there’s a reason people still use an old, outdated, and limiting DAW. I hope the team keeps that in mind while they work on rewriting the website from the ground up.

Your message to the community:

I’ve been hearing a lot of people complaining about the toxicity of Audiotool’s community, and to some extent, I agree. I just hope people can remember that this website only exists now because of us. Even though not all of us are getting along or are doing questionable things at times, we should make an effort to get along enough to keep the DAW we all love and care for so much alive and thriving for decades to come. To inspire the next generations. To show the world what a culture looks like in this new world of so much cultural death. Even if we decide to leave for FL, Ableton, or any other DAW, or publish our music to SoundCloud, Bandcamp, or through DistroKid, most of us owe our passion for music to Audiotool as a website and as a community. Even through all the drama and controversy, I believe we still get along somewhat. Through all the years of drama, we’ve never forgotten how Audiotool has helped us and shaped us into who we are and what we make. Optimism with awareness can go a long way, and I cannot wait to see what the future holds for all of us individually and as a whole, and what we as a community can offer to the world in this era of hopelessness!

Social/Music Links

Linktree: https://linktr.ee/chonoes

Edition Audiotool: Chonoes

Track #1:

mothsong by etterath

This is the most important song to me on Audiotool. Because of this song, I’ve been able to confront the deepest roots of my depression. There was a night not too long ago when, as I played this song, I had a reality check about just how unhappy I was with my life—where it was and what my future was going to be. To top it all off, I had just learned that my childhood cat, Skittles, who I saw as a reminder of happier and simpler times, had passed away, and I didn’t get to say goodbye. I cried for the first time in 10 years, for a long time, while this song was playing. She was the only close friend left from my childhood, and mothsong helped me confront the horrifying feelings I was afraid to face. It also gave me the motivation I needed to better my life and turn it around.

[[EMBED:https://www.audiotool.com/track/k1osiy4y9i7/]]

Track #2:

see you again by polyspace✧

This song is also deeply personal. The cover art and sampling are from a trip Polyspace took to a campground in Hot Springs, NC, with our church. In 2017, only he went, but in 2018 and 2019, my whole family joined. Those trips were the last times I felt childlike wonder and happiness. During the time I had just lost my cat, I re-listened to this old song, and it brought back a wave of nostalgia for that trip, old friends, and my pre-COVID happiness, which feels lost forever. The title, in a way, was telling me that my future can be whatever I want it to be and that living in the moment is what I truly strive to achieve again. Trying something new without anxiety—to “see myself again.” Even though the original title referred to Polyspace’s old girlfriend, it has taken on a new meaning in a beautiful way. The chattering voices in the song are those of old family friends I’ve since grown apart from.

[[EMBED:https://www.audiotool.com/track/lni8ki6y/]]

Track #3:

the red moon's egg by we die

The production on this work is immaculate. To me, this piece represents the story of our world—a decaying ball of beauty floating in an infinite void of destruction. It reflects how the human mind can see beauty in everything. This piece also makes a statement about our global elephant in the room: our world is destroying itself, and when it’s gone, nothing will be left in this universe. And yet, it will still be beautiful. Spend your limited time on this earth to the fullest—there isn’t enough time to be afraid.

[[EMBED:https://www.audiotool.com/track/ahntfhcz35/]]

Track #4:

Chiliocosm by etterath

This piece has the best production on Audiotool, hands down. If I were to show someone what Audiotool has to offer, I would show them this piece. It demonstrates everything this DAW is capable of—not just production-wise but in telling a story. Etterath’s ability to bend dissonance and noise into an emotional story of not just the world but of herself is incredible. Her ability to use the act of making music as a way to deal with her trauma is, in itself, the most beautiful thing I’ve ever witnessed. Chiliocosm evokes a very similar feeling to the red moon’s egg, with its depiction of our world decaying and being destroyed by us in a beautiful dance of death. Concluding with a wall of noise, it suggests that our existence will end just as it started—with a massive explosion, wiping out our entire species.

[[EMBED:https://www.audiotool.com/track/w6lmx83a59/]]

Track #5:

w/ loste & skye [unfinished] by polyspace✧ and dove

This song is very nostalgic to me. When I first came back to Audiotool, the experimental, distorted future bass sound hit me hard. It combines Dove and Skydoki’s future bass arps with Acloudyskye and Polyspace’s love of metallic distortion to create that signature 2018 Audiotool vibe that hits any avid Audiotooler with emotion and nostalgia. This song isn’t just nostalgic but also offers amazing arrangement, harmony, and structure. It hits you like a wall of emotion.

[[EMBED:https://www.audiotool.com/track/7mhgv0xte/]]

Track #6:

REDROOM by Chonoes

This is the best song I have out right now that represents my style. Chaos, clipping subs, painful drums, and swag. I’ve been loving experimental rage music, and I wish more people made it. That said, this is not my only style. I’m constantly experimenting, and you can expect a lot more emotive music from me in the future.

[[EMBED:https://www.audiotool.com/track/8ykxragg74/]]

Full Album

Edition Audiotool: Chonoes

• a-records

21

about 1 month ago

1		mothsong etterath	etterath	1223
2		see you again polyspace✧	polyspace✧	1008
3		the red moon's egg we die	we die	6450
4		chiliocosm etterath	etterath	710
5		w/ loste & skye [unfinished] dove polyspace✧	dove polyspace✧	2615
6		REDROOM Chonoes	Chonoes	1296

@elow took third place in our People’s Choice Featured Artist voting. His sound spans the full range of contemporary popular music — often noisy, sometimes melodic, always distinctive. With a mix of experimental textures and a clear sense for structure and mood, his tracks stand out through both energy and detail. A great journey from a bit of a handful to one of the leading voices of his Audiotool generation. Congratulations on a well-earned third place, @elow!

Interview

About: Elijah Faust @elow

What's good My names Elijah Faust, you guys know me as @elow . I'm from Slidell Louisiana right above New Orleans. I was born in Mississippi but grew up here and met amazing people. I mostly grew up with people of all sorts of talents and quirks and quickly realized that I wanted to do music almost my entire life. My father introduced me to music through a keyboard he had long before I was born and helped me learn the piano at just 3 years old. After that I just kept to it, and later down the road in 2021 discovered that I can make music outside of something I) was comfortable. Thus being born Pogtopia179 on audiotool. iIdid have an account before in 2019 called "lxrdwxvy" but had no idea about anything on the site so I took music seriously as elow. I for sure wouldn't be where I am today without my best friends Noah Cheng, Daniel Mejiad, Jaime, Sel, and Eli (iykyk). I'm thankful for everyone I met on this app as well. It pushed me to continue even at low points and boosted me up during my highs. Some hobbies I have are skating (skateboarding and rollerblading), trampoline tricking (at the moment I work at a trampoline park and just learn a triple backflip), hanging out with real life friends, playing Terraria and Geometry dash for hours outta the day, fishing, and there's much more but if you're interested just ask. But that's right, the part you actually care about. Many may agree or disagree but originating from Chicago where my family is from my favorite pizza is deep dish pizza where the cheese is at the bottom and the sauce on top (you can be disappointed I don't care) p.s. pineapple is weird.

Describe the style of music you produce

I would have to come and flat out say, I'm an experimental type of guy. I can't stick to one style and make many different genres. That being said, some of my favorite have to for sure be Jazz, Hip-hop, Trap, Breakcore, Drum and Bass, Botanica, Ambient, Hardstyle type of EDM (Camellia is a prime example and I will continue to look up to them), ROCK such as chiptune rock, indie, etc.. and there's this one thing i make that's not really supertrap but its really squishy and unique. (comment down below what the technical name is if you know what I'm talking about)

What is your musical background and when did you start making music?

At the age of 3 with my father ofc. But even after that I picked up the saxophone for band and played for 8-9 years getting decent at it making it to all-state for Louisiana. Now I just play for fun and enjoy it when i can. I also recently got an electric drum set that I should learn and make music at my friends house [ I showed him audiotool as well]. Another main point about my history is that instead of focusing in school, I ALWAYS made music in class on audiotool and got a LOT of recognition around my school as "The Beat Maker" or "The Beat Boxer", etc.. iIeventually sold my first beat my sophomore year as a supertrap track for $20 lol.

How long have you been using Audiotool, and how did you discover it?

As I said Above, 2021 is when I truly settled on audiotool finding the community and interacting with everyone and some of the users that helped my find my way were guyy, itxmi, taiko (joining around the same time) jj, and cory (these people are my big inspirations to me in my past for sure). I know im not the only one for this on but a youtube video https://www.youtube.com/watch?v=HurUi3dnI0M from ishywon with a goofy ass thumbnail. If I wouldve never seen this, I doubt I wouldve found audiotool and had a spark for music my high school and jr. high years.

What is your favorite Audiotool device and why?

Many people might answer for me and say the Audiotrack but I this I would have to defiantly say the Heisenberg. Even though I'm not the biggest sound designer I still enjoy the countless drafts I have of just one or two Heisenbergs to experiment on and just generating melodies. I definitely recommend playing around with it when you have beat block or writers block just to hear new sounds from a couple of tweaked knobs.

What is your favourite trick in AT/What technique do you always use?

This is literally the one I use every time even outside of audiotool. SOUND SELECTION. being most specific towards beginners, if you have a sound that is low quality, don't use it and expect good results. even after mixing and mastering you could get some ok sounds but sound selection is key to becoming better and understanding your art. If we are talking about tracks and things of that nature, detuning things is a big one. it gives my tracks some wonky feels and overall sounds nice to me especially on saws or synthesized sounds and even sounds you would never expect it to sound good on.

Have you ever had a writer's block? If so, how did you deal with it and what do you recommend to your colleagues

Absolutely!!! Making the same damn thing can be extremely exhausting and boring. the last time I had writers block was like 6-7 months ago but learned a trick to overcoming it. This may not work for everyone but making music at least an hour a day. you don't have to post them either and it can sound like the most vile, despicable thing ever (done it too many times) but the point of this is to get used to your daw and when you do have an idea to make something, you will be one step closer to achieving your dream song right on the top of you head and directly from your fingertips. Another good thing is stepping out of your main genre/style and make something completely new that you've never made before. And before you go and say, "Well erm Elijah, I've made like EVERY genre and there's nothing else to make. What then?" https://www.pinterest.com/pin/492649948096402 this isn't even including the new, recent genres and styles we know today. Go make some music already

What has helped you the most on Audiotool to improve and widen your musical horizon?

The people. Itxmi this was a big one from me to you. you had a huge impact on my take of music and competition even for the feature awards thingie I'm filling out right now lmao. interaction and listening to different track from various artist help me discover a lot of new genres, open my ears to styles unlocking my own style of music, and even battling people to show the best you've got. Making rivals and having a competitive mindset has helped me a lot but on the completely alter ego of me you have the open eared and wiling to try any style of music (even if failed) to get up, learn from the mistakes, and make it even better the next time until you surpass what you've expected. Even if you have to put the mouse away and do something else (like touch grass) then do it!!! community is key or your music will never be heard by others .

What do you like most about Audiotool? Is there anything you would like to suggest?

The fact that out of almost every single daw you can work with artist IN LIVE TIME and the fact that this daw is COMPLETLY FREE and accessible anywhere from your computer, to you phone, to your Xbox, to your Samsung smart fridge xts pro 2160p Ultra hd screen to a 3ds internet screen (maybe not the studio but yk what i mean) if I did suggest anything it would to make a mobile feature and or app for the studio with optimization of course. It would most likely bring more users, more interactions from different locations, and a new take on what audiotool has to offer

Your message to the community:

Don't lose your spark. If you read this, I hope your spark is as big if not bigger than mine. I love every person on this platform that I had a chance to meet so far and hope to do great things with you guys.

Social/Music Links

Linktree: Everything is right here : https://linktr.ee/Elow179

Discord: https://discord.gg/guS95P55yG if you wanna join the Discord feel free. We welcome everyone :)

Edition Audiotool: @elow

Track #1:

Kurea - Irisu by Kurea

9 minutes and 50 seconds worth of insanity. Absolute banger right here and this was the first song i’ve ever listened to on audiotool. I started to gather my edm style thanks to kurea, this song, and the style blessing my earlobes. If I had space to write a whole paragraph just for this track alone I would considering how amazing it is and how much it impacted my music experience. (Listen for sure)

[[EMBED:https://www.audiotool.com/track/0f8m0ly7wgd]]

Track #2:

ambivalence by itxmi

Listening to this track by itxmi created a major breakthrough in my music journey around this time. If I never listened to this I wouldn’t be where i am now for sure. Where to really begin. The lush pads are for sure creamy and beautiful. The piano touch just goes to show skill of placement and an ear for where things go and balance within the studio unlocking infinite creativity.

[[EMBED:https://www.audiotool.com/track/smvre71gwp/]]

Track #3:

Battle of Gods. III by @nomadnohome , Uzeh , WINTER , @wutho and gr33d

Absolute banger. My first time listening to the trap side of audiotool and the goats on here all in one track showing off their skills. Being younger I've always wanted to join the tapes and make my own part and I continue to look up to the artists who participated. Everyone has their own audiotool lore and mine started here <3

[[EMBED:https://www.audiotool.com/track/nycjc30z/]]

Track #4:

Without You. by Zack Reyes

I had this song downloaded in my phone for the longest time on fucking repeat at age 14. I was obsessed to see this style of drill portrayed by Zack Reyes and started learning it myself. I just remember going to chicago with this song looping for 4-5 hours during the car ride and from there I told myself I will become the best drill producer. Too much nostalgia with this track for sure.

[[EMBED:https://www.audiotool.com/track/ht6z1etq/]]

Track #5:

protected by M3NAC3 and taiko!

I was invited to this track :( Taiko created this whole thing and hearing it makes me so proud of how far we’ve came from 2022. (iykyk) This wave track to me represents a lot of piece in my life listening back over and over when I was sad, depressed, didn’t know what to do in my life, and later down the road how much this impacts the wave genre on audiotool. (such a banger) Love hearing the wave kings tracks everytime they drop and glad you could teach me your style.

[[EMBED:https://www.audiotool.com/track/ouim2q736/]]

Track #6:

Warframe - Menu Theme by @elow

I know I know - “Oh elow… but…but… why didn’t you pick Big Ben?” Big Ben was the biggest joke ever, and I definitely didn’t expect that to blow up when it did. That being said, with this track I made fairly recently represents not just Elow but Elijah Faust. It mixes a LOT of little detail, showcases a lot of my techniques I've learned over time just being on this platform, and with this being one of my favorite game’s remix, it shows my love for ost music and creates a rabbit hole of tracks just inspired from this very song. Not to forget of course this wouldn’t be created without the collaboration of itxmi and guy’s track : hi by itxmi and guy. (edit : this could’ve been made better, but I like the imperfection. It helps me to see how far ive actually come knowing there’s a lot more to learn and become much better.)

[[EMBED:https://www.audiotool.com/track/cigmg8mhfu9w/]]

Full Album

Edition Audiotool: @elow

• a-records

13

about 1 month ago

1		Kurea - Irisu Kurea	Kurea	15509
2		Battle of Gods. III @nomadnohome Uzeh @wutho WINTER gr33d	@nomadnohome Uzeh @wutho WINTER gr33d	706
3		Without You. Zack Reyes	Zack Reyes	170
4		protected M3NAC3 taiko!	M3NAC3 taiko!	3203
5		Warframe - Menu Theme @elow	@elow	968

We have a winner!

And finding one wasn’t easy — so many amazing and inspiring submissions came in. Our full respect goes out to all of you! In the end, Inavon received the highest score from our judges for his submission Fantasy Universe #8 and can look forward to a brand-new Behringer RD-8. Please get in touch with us at team@audiotool.com to claim your prize.

We’re always amazed by what these contests bring out of you and we’re already looking forward to the next one!

Instead of a follow-up list, we’d like to share some impressions from our judges, who left a few words about their personal Top picks.

Judges Quotes

Invanon -> fantasy universe #8 -> clean, musically coherent, integrates the original instrument together with a wide palette of sounds derived from just a few sources …

Markolissimo -> Destiny -> also a nice, jeff-mills-y beatbox track that really fits into the musical history of the instrument …

Client - the mighty 808 -> atmospheric thrack that creates a wide palette of sounds from the beatboxes …

Naswalt - 808/909 -> both of naswalts tracks get a wide and very clean sound palette out of the beatboxes, and musically rank amongst the most elegant … yet I feel that they’re completely masking the instrument itself instead of integrating or showing it somehow.

Inavon With its clean chords and smoothly layered melodies, this track delivers a refreshing sense of balance and clarity.

NÁS NEZABIJEŠ!!! ☮ The vocal-inspired effect is executed beautifully, adding depth and personality to the arrangement.

JayFK A solid track, marked by excellent sound design and well-balanced mixing.

Naswalt 909Trust Naswalt to get a wailing guitar sound from a 909. Enough said.

Olondro Bit crushed techno courtesy of an Audiotool techno veteran; really clean techy vibes and exactly the kind of thing these machines were used for.

Naswalt 808: I'm a little surprised nobody else really attempted to use the 808 to make Trap considering the genre's history. Naswalt executed it perfectly and then went and added a melody, atmospherics, and chords.

Client An incredible cinematic piece from Client, once again demonstrating his ability to develop complex sounds despite limitations.

Inavon What started as a basic tech/house beat quickly evolved into a more complex and ever-evolving soundscape blending house and trance. The multiple arps and melodic elements expertly layered over each other cemented this track at first place.

You can find all these tracks and the many other amazing submissions in this album.

Beatbox Day '25 | Entries

• a-records

18

about 2 months ago

1		tremors althruist	althruist	884
2		Make me [808] PolanaZ	PolanaZ	161
3		808 Triphop Approach Sandburgen	Sandburgen	1131
4		vertigo itdoi	itdoi	219
5		tetro DJ-Monkeyo	DJ-Monkeyo	90
6		8N8 DJ-Monkeyo	DJ-Monkeyo	107
7		808 naswalt	naswalt	519
8		silly 808kisser Jam!e	Jam!e	227
9		coffee machine Kepz	Kepz	569
10		808 YEARS OF MISFORTUNE[ACT II] mel	mel	87

Show all 28 tracks

itxmi , whom many still know under the name Noah, is undoubtedly one of the top players among the younger generation of Audiotoolers. It's no coincidence that he led the high rankings of the voting for a long time, only to be displaced from the top position in the end by a smart marketing coup. His music is an electrifying blend of contemporary trap variations, bursting with creativity and an undeniable energy that hooks listeners instantly. His productions are consistently top-notch, showcasing an impeccable sense for beats that truly hit hard. Congratulations on a well-deserved silver medal!

Interview

About: Noah Cheng AKA itxmi

I'm an 18-year-old Filipino producer from Franklin, Wisconsin, which is about 30 minutes south of Milwaukee. I will be attending the Milwaukee School of Engineering this upcoming fall as an incoming freshman. I plan to swim competitively on the team. I am also planning to major in software engineering at MSOE, as well as pursue a minor in cybersecurity and potentially another minor in the music field. Personally, I'm a huge Geometry Dash, Terraria (mostly Calamity), and primarily Mario Kart Wii geek. I'm also a diehard anime fan. My favorite music artists are Yorushika, Ado, Hoshimachi Suisei, Lucy Bedroque, and Osamason.

Describe the style of music you produce

Trap and pop, but more precisely, I specialize in Diary pluggnb and Jpop music. I made trap music my first couple of years on Audiotool, but over the last year, I have broadened my sound with more Japanese soundtrack influences.

What is your musical background and when did you start making music?

I started taking piano lessons when I was around 2 years old until I was 11. Like everyone, I played the recorder in elementary school. However, my primary instrument was the trumpet. When I turned 12, I joined my elementary school band and played until I graduated high school, so for around 6 years. I dabbled in a bit of French horn, but I bet if you gave me a baritone, mellophone, or drum kit, I could play it. Now I'm trying to learn the acoustic guitar, which I plan on recording and using in my music.

How long have you been using Audiotool, and how did you discover it?

I started using Audiotool in February 2019. I found it simply by searching up something like "best free online daws" and Audiotool was the first thing that popped up. Juice Wrld and Nick Mira's beat breakdowns inspired me to try and make music myself.

What is your favorite Audiotool device and why?

The Heisenberg is absolutely my favorite device. Customizing all the different knobs and presets on it is a lot of fun, and it's a great device for making leads or synthesized noises that I find great for trap and pop music.

What is your favourite trick in AT/What technique do you always use?

Using an empty excl. Machiniste slot is a great way to recreate the cut itself/envelope feature from FL Studio. Increasing the curve on the Waveshaper is a good soft clipper for the master, although you will have to turn the master up from -3db to 0.

Have you ever had a writer's block? If so, how did you deal with it and what do you recommend to your colleagues

Listening and finding more music helps with finding more inspiration, which in turn helps with my creativity. Sometimes I'll just sit on SoundCloud, Spotify, or TikTok for an hour and just listen to stuff. If I really love something, I'll recreate something like it but throw my own spin on it.

What has helped you the most on Audiotool to improve and widen your musical horizon?

110% the community. I wouldn't be where I am right now without the help of my longtime friends on the platform, including Elow, with whom I've been best friends since 2022.

What do you like most about Audiotool? Is there anything you would like to suggest?

I love the community. It's one of the reasons I've managed to stick around for a couple of years.

Your message to the community:

You can do anything you set your mind to.

Social/Music Links

Linktree: https://linktr.ee/itxmi

If you'd like, follow my personal Instagram - https://www.instagram.com/big_noah_007/

Edition Audiotool: itxmi

Track #1:

lovely . by ★KCTheProducer★ and wvst

This was one of the very first wave tracks I heard on this site, which inspired me to work with KC in early 2021 and flesh out AT's signature wave trap sound. Still holds up well to this day.

[[EMBED:https://www.audiotool.com/track/u1nc7vr28k/]]

Track #2:

Uzeh v. Wutho (Beat Battle - Part 1) by Uzeh and @wutho

This beat battle holds a very special place in my heart. Around July 2021 I had this playing in my head before my mile swim race and state championships, and I felt awesome diving in. I ended up winning my age group by over 40 seconds and almost getting the state record.

[[EMBED:https://www.audiotool.com/track/mx4ymnspnwc/]]

Track #3:

.wav by Raiden

Super impressive use of synths and lush chords that I can't even replicate right now. Props to Raiden for creating such a cool future bass trap hybrid track back in the day.

[[EMBED:https://www.audiotool.com/track/y1ud2i27mlfj/]]

Track #4:

f1ow by elias and itxmi

Although I am a collaborator on this track, I didn't do anything aside from opening the project and inviting elias. He created one of the most beautiful masterpieces I've ever heard from scratch. Still hits beautifully and brings about many emotions for me.

[[EMBED:https://www.audiotool.com/track/bxnc8g0co9il/ ]]

Track #5:

LXST NXGHT by Young kay beats

his beat was a big inspiration for the fundamentals of my producing career, as I was heavily inspired by the Juice Wrld/Nick Mira/Internet Money beatmaking sound.

[[EMBED:https://www.audiotool.com/track/9kbgrdjnkdgf/]]

Track #6:

i know (w/kc x slow) by itxmi and elias

It was a hard choice between this track, "Sanctuary", and "sound in solace". Ultimately, I stuck with "i know" because it highlights more of the collaboration aspect I love with this community - nomad introduced me to the girl on the song, which inspired me to sample it and work with KC + Sxcond Gxn on what I consider one of my greatest works.

[[EMBED:https://www.audiotool.com/track/ocze6c9me/]]

Full Album

Edition Audiotool: itxmi

• a-records

24

about 2 months ago

1		lovely . wvst ★KCTheProducer★	wvst ★KCTheProducer★	10155
2		Uzeh v. Wutho (Beat Battle - Part 1) Uzeh @wutho	Uzeh @wutho	906
3		.wav Raiden	Raiden	3240
4		f1ow elias itxmi	elias itxmi	4290
5		LXST NXGHT Young kay beats	Young kay beats	1004

We’re proud to share that Audiotool is the official music partner of the Alliance for Youth-Led Futures for their initiative “What Does Peace Mean to You?“.

This is your opportunity to share your voice through music, connect with a global community, and contribute to a collective call for peace and creativity. This is more than just a challenge — it’s your chance to let your music travel far beyond the AT studio. Selected contributions may be featured on global stages such as the Sound of Peace Concert 2026 and the UN Climate COP30.

How to join:

• Create a track on Audiotool inspired by the theme: What does peace mean to you?

• Publish it publicly.

• Submit your track link via the form: http://bit.ly/4numfgd

Deadline: Oct 18, 2025

Open to anyone under the age of 30.

All submitted tracks will be featured as part of a global peace campaign and shared with communities worldwide.

point_right: Learn more about the project here: https://catalystnow.net/what-does-peace-mean-to-you/

Let’s show the world what peace sounds like ☮

Volen is a hidden gem on Audiotool, quietly making waves with a unique blend of experimental sounds and bass-driven music. As the winner of the People's Choice Featured Artist voting, it’s clear that his talent is starting to get the recognition it deserves. Volen’s tracks are always an interesting journey, full of creativity and fresh ideas. If you haven’t checked out his work yet, now’s the perfect time to dive in. Congratulations on taking first place.

Interview

About: Camden Parsons AKA volen

I’m an experimental bass music producer and jazz instrumentalist from McMinnville, Oregon. I’m currently studying music composition and theory and swimming varsity at the University of Puget Sound in Tacoma, Washington. I joined Audiotool about 5–6 years ago and found myself in love with what the program has to offer. I have a sweet spot for ear candy bass music, boom bap hip-hop, big band jazz, and upbeat chiptune. Buffalo chicken pizza is the best kind of pizza, and you cannot convince me otherwise.

Describe the style of music you produce

Traditionally, I’ve produced a lot of gritty, detail-oriented dubstep that challenges popular sounds in the scene today. A lot of my work focuses heavily on drum sounds and experiments with unique, brash bass sounds and concepts. Lately, however, I’ve been pushing myself to try out styles and genres I haven’t taken shots at before—techno, footwork, and especially chiptune.

What is your musical background and when did you start making music?

When I was 7 years old, I began taking piano lessons and practiced classically until I was about 13 or 14 years old. Near the end of my practice, I got a laptop for my birthday and took to Noteflight and Soundtrap to make what can barely be classified as music.

How long have you been using Audiotool, and how did you discover it?

I’ve been using Audiotool for about 5–6 years, and I’ve had an absolute blast with the program. I came across the program while looking for a quality alternative to expensive, renowned DAWs that I could not afford. Stoked to have come across this program!

What is your favorite Audiotool device and why?

Gotta go with the Quantum. Like, what can’t you do with it? It’s a quality compressor that does a really good job at whatever you need it to do. Plus—it makes a funny sound when you stack 20 of them on top of each other.

What is your favourite trick in AT/What technique do you always use?

Something fun I like to do for buildups is to reaaaallllyyy stretch out an 808 sample and reverse it. Place it over the rest of your sounds, and you’ve got a pretty simple volume automation that speeds up towards the next section.

Have you ever had a writer's block? If so, how did you deal with it and what do you recommend to your colleagues

I get writer’s block all the time, especially when it’s with a style I usually make. Sometimes the best way to approach writer’s block is to not write, but to listen. Go listen to some new music, old classics, maybe a style or genre you haven’t heard before. Take influence from the music around you, and don’t be afraid to try something new once in a while.

What has helped you the most on Audiotool to improve and widen your musical horizon?

Honestly, getting to talk with people in the community and getting critiques/feedback from them has been a huge factor in my growth as an artist. Everyone around you is wanting to improve just as much as you do, and it’s awesome to have so many people to bounce ideas off of.

What do you like most about Audiotool? Is there anything you would like to suggest?

I absolutely adore the interface of the Audiotool studio. Being able to work with devices as if they were tangible and work with tracks on a digital grid is a really neat design that’s executed efficiently and is easy to understand. Please don’t change it!

Your message to the community:

Listen, then write. Don’t be afraid to take influence, and don’t be afraid to make something that influences others.

Social/Music Links

Soundcloud: https://soundcloud.com/volensucks

Apple Music: https://music.apple.com/us/artist/volen/1646399362

Spotify: https://open.spotify.com/artist/0YQMIrwC9Cwt4YcQARxAhv?si=SkP6EvMqR6uJdZ7YoP28Zg

Spotify II: https://open.spotify.com/artist/1sPjAmtObtMtuqeBrjJp7E?si=h7ZqX29lSNaBVN8oql6Cgw

Instagram: https://instagram.com/volensucks

X: https://x.com/volensucks?s=21&t=S3GCg92EcX7CGXi9Ee-PeA

Edition Audiotool: volen

Track #1:

Intricacies by kuatari

There's so much attention to detail here, I've always been mesmerized by it

[[EMBED:https://www.audiotool.com/track/e8se8es9]]

Track #2:

grot by Snio

One of the first songs I ever listened to on Audiotool, so quirky, haha.

[[EMBED:https://www.audiotool.com/track/12kri9z2go/]]

Track #3:

Prison Planet by sumad

Dark and guttural, one of my biggest influences in terms of percussive sound.

[[EMBED:https://www.audiotool.com/track/r3vi4czqe]]

Track #4:

Tonal contrast by Roy ↨ One of the best beats I've ever heard. I mean, come onnnn.

[[EMBED:https://www.audiotool.com/track/3g3vlw3j3l/]]

Track #5:

eulogy by sky bound zoo

Amazing synth work, super cool and probably my biggest recent influence.

[[EMBED:https://www.audiotool.com/track/5e43g5duuq]]

Track #6:

Daredevil by volen

Easily my favorite project to have worked on.

[[EMBED:https://www.audiotool.com/track/pq4n8039wj7]]

Full Album

Edition Audiotool: volen

• a-records

17

about 2 months ago

1		intricacies kuatari	kuatari	531
2		grot Snio	Snio	579
3		Prison Planet sumad	sumad	342
4		Tonal contrast Roy ↨	Roy ↨	884
5		eulogy sky bound zoo	sky bound zoo	788
6		daredevil volen	volen	1143

It's September 9th, 909 Day and we’re turning it into something bigger: the official Audiotool Beatbox Day. Since we’ve always been too busy during past summers to celebrate on 808 Day, we don’t want this iconic machine to feel left out!

To celebrate, we’re challenging you to grab either a Beatbox 8 or Beatbox 9 and create your best beats (and more)!

Rules:

• The drum machine must be your ONLY sound source. No samples, no synths—unless they’re used as effects and are inaudible, like in this example: how do 909?
• Stick to one model:

If you choose Beatbox 8, you can use as many as you want—but no Beatbox 9s in the same project, and vice versa. Want to experiment with both? You can submit up to three tracks!

• Effects and automation? Go wild!

Prizes: The winner will take home either a Behringer RD-9 or a Behringer RD-08, depending on the Beatbox chosen in the winning track. Once the new studio launches, its optimized audio recording will make owning a hardware instrument more compelling than ever—it’s going to be epic.

Submit your tracks here: https://www.audiotool.com/contest/beatbox_day_25

Deadline: October 6. Let’s hear what you’ve got!

Check out the impressive results from the last 909 Day contest

909 Day Contest Entries (2021)

• a-records

42

about 4 years ago

1		how do 909? Audial	Audial	5303
2		9.0.9 rai.	rai.	4726
3		making stupid shit instead of doing hw astrel	astrel	494
4		909.7.4 (909 Day Contest) Jetdarc	Jetdarc	2139
5		000000003X (909 day entry) eratekk	eratekk	410
6		909 Challenge - XculE XculE	XculE	435
7		Nein o Nein (finished) Blooome	Blooome	574
8		//909nb_ nondeescript	nondeescript	434
9		nein oh nein Christian-Chrom	Christian-Chrom	386
10		TR(tarus)-666 sea foam and the wind	sea foam and the wind	488

Show all 36 tracks

Vote here for your favorite artist: http://bit.ly/4m8wgyV Deadline August 21, 4 pm CET

Everyone has only one vote, so think carefully about who you want to support.

Let’s keep it fair, fam—vote honestly!

What it's about:

Hey everyone!

We’re kicking off our Featured Artist summer break with something special – your chance to choose the next three Featured Artists straight from the community!

Here’s how it works:

Nominate your favorite artist in the comments below by Monday, August 4.

After that, we’ll contact the nominees to see if they’re in.

To take part, they’ll need to:

• put together a 6-track Audiotool album

• be up for a short interview

• and send us a portrait photo

Then, on August 7, the voting begins! For this we will invite you to a voting form.

We’re spotlighting the top 3 winners – in order of placement, not only one.

This time, you can nominate any artist who hasn’t been part of this current Edition round yet so feel free to pick someone newer, or an established artist who hasn’t appeared in this round so far.

💡 If you’re not sure who else has already been featured in this round, check the link https://drive.google.com/file/d/1nvoCzSLztTYd-gTI3WaYZNhCfL9i4t8L/view?usp=sharing

We only nominate artists who are 16 or older, so please don’t nominate anyone who you know is younger.

👉 Enjoy the voting, and let’s keep things fair for everyone!

Atelier may not have an extensive collection of tracks in its Audiotool portfolio, at least not visibly, but the ones it does have are nothing short of extraordinary. From hard-hitting, wall-of-sound indie guitar tracks to heartbreakingly raw, experimental synth soundscapes, Atelier unfailingly creates a distinct atmosphere with every single piece. Two immediate connections to the film industry come to mind: Terrence Malick, who has directed only ten films in 50 years—all of them masterpieces. And secondly, every A24 director would undoubtedly be clamoring for this playlist to feature in their next film.

Interview

About: Jack AKA atelier

Hey, guys! My name is Jack, I'm 19 years old from a small town just outside Fort Worth, Texas. I’ve been making music on Audiotool for nearly five years and around the same time I picked up guitar and drums. I’m currently serving in the U.S. Army as a paratrooper, stationed at Fort Bragg, North Carolina. Outside the uniform, I’m all about cityscapes, tattoos, and listening to way too much Jane Remover.

Describe the style of music you produce

I produce a blend of alternative rock with grungy, melancholic textures and emotionally heavy undertones. My sound leans into layered, intricate soundscapes; often combining ambient elements with soft dynamics, modular synth experimentation, and raw guitar work. It's a balance between aggression and atmosphere, where every sound has space to breathe but still hits hard when it needs to.

What is your musical background and when did you start making music?

I started making music nearly five years ago on Audiotool after stumbling upon it at school while looking for free music softwares (under my old name, obelus), just to mess around and learn the basics on my own. Around that same time, I picked up guitar and drums, which gave me a deeper connection to songwriting and sound. I’ve been self-taught from the beginning, always experimenting and trying to find my voice through different instruments and production styles. Over time, it became more than just a hobby and it ended up turning into a way to express myself fully like I never had been able to before.

What is your favorite Audiotool device and why?

The Pulverisateur is easily my favorite Audiotool device. It’s got this raw, analog-style character that fits perfectly with the heavier, grungier side of my sound. I use it a lot for thick basses and weird, textured synth layers and it just brings this grit that makes a track feel alive. It’s simple to shape, but powerful enough to sit front and center or blend into a dense mix. The Quasar is also one of my favorite devices ever, the best reverb pedal I've ever used to be honest.

What is your favourite trick in AT/What technique do you always use?

One go-to trick I use in Audiotool is layering multiple synths and guitars with subtle detuning and panning to create a wide, immersive sound. It helps add depth without overcrowding the mix, making everything feel spacious yet intense. I also rely on creative use of delay and reverb to blur the lines between instruments and give the tracks an atmospheric edge.

Have you ever had a writer's block? If so, how did you deal with it and what do you recommend to your colleagues

Writer’s block? Time to doomscroll for three days. It's honestly not a terrible way to cure it, you may end up finding a really cool idea or sample that might offer some aid in a song you're stuck on or trying to create. My advice? Don’t stress about it. Sometimes you just need to let your brain take a nap and come back ready to kill it.

What has helped you the most on Audiotool to improve and widen your musical horizon?

What’s helped me the most on Audiotool is diving into other people’s projects and breaking down how they build their tracks. Seeing different approaches, from sound design to arrangement, really opens the eyes and pushes you to experiment beyond your usual style. Also, the community feedback has been huge. Getting honest opinions and ideas keeps me evolving. Audiotool is like this endless playground where you can constantly learn and reinvent your sound.

What do you like most about Audiotool? Is there anything you would like to suggest?

What I like most about Audiotool is how accessible and powerful it is. The ability to jump right into a fully featured studio from my browser is pretty amazing. The modular setup and variety of devices let me really shape my sound exactly how I want and the community vibe makes it easy to find inspiration and collaborate.

If I had to suggest something, it'd probably be a way to shift the key of a song, or individual tracks, entirely without having to change the tempo or anything. A pitch shifter pedal, similar to that of a Digitech Whammy, would be super sick too.

Your message to the community:

Make something unforgettable.

Social/Music Links

YouTube: https://youtube.com/@sounds.of.atelier?si=dYJGxO7T7-KE_cSf

Instagram: https://www.instagram.com/obelu.s/

Bandcamp: https://soundsofatelier.bandcamp.com/

Edition Audiotool: atelier

Track #1:

they love me by :_archive

This track resonates with me because of its haunting simplicity and emotional depth. The way it balances peacefulness with an underlying tension mirrors moments in my own life when calm hides something more complex beneath the surface. It’s a track that feels both personal and universal.

[[EMBED:https://www.audiotool.com/track/x7umb1jq3bd/]]

Track #2:

Chop (audiotool mix) by Carrion Haven

What stands out to me in this track is the way Sid layers distorted guitars and gritty synths to create a dense, textured soundscape. The production balances raw aggression with clarity, letting each element punch through without losing the overall chaos. It’s inspiring to hear how the mix blends heavy, distorted tones with precise control, showing that even aggressive music can be crafted in Audiotool with care and detail. That balance really speaks to me as a producer trying to find power in nuance.

[[EMBED:https://www.audiotool.com/track/ea2wmm8mwuhu/]]

Track #3:

yōsei by etterath

I still don't know how etterath crafts such an intricate blend of ambient textures and delicate melodic layers so well. I remember hearing the snippet for this track on the AT Discord server some years ago and being so pumped to hear the final result. The production is detailed and immersive, with soft synths weaving seamlessly alongside subtle percussion and airy guitar lines. The mix feels spacious yet intimate, creating a dream(weaver)-like atmosphere that pulls you in.

[[EMBED:https://www.audiotool.com/track/an5k1uqmr/]]

Track #4:

counterpart by nico

I love this track so much because of how clean and intentional the production feels. Nico builds this intricate atmosphere using crisp percussion, smooth synth work, and carefully layered textures that evolve without ever feeling cluttered. It's such a consistently pretty soundscape throughout.

[[EMBED:https://www.audiotool.com/track/g7kwswmzdooz/]]

Track #5:

▶Boots! by laeven✟

What stands out to me in this track is how lucysonny bends structure and sound without ever losing momentum. The track is noisy, unpredictable, and full of personality; distorted percussion, clipped vocals, and sudden shifts that feel totally natural. The production feels alive, like it’s glitching out on purpose. It reminds me that not everything has to be polished to be powerful and sometimes the rough edges are the point. It’s a great example of controlled chaos done right.

[[EMBED:https://www.audiotool.com/track/27mq9crzo/]]

Track #6:

sinking feeling by atelier

When I made sinking feeling I was in a really reflective place, mentally kind of quiet but heavy. I wanted the track to feel like that: not dramatic just… sinking, you know? I used a lot of reverb-drenched synth layers, detuned slightly to make everything feel a bit off-center, like your head’s underwater. There’s not much percussion, and that was intentional. I wanted the space between sounds to feel just as important as the sounds themselves. It’s probably one of my most honest pieces and I'm glad it was received as well as it was.

[[EMBED:https://www.audiotool.com/track/74o8qx2a1hpy/]]

Full Album

Edition Audiotool: atelier

• a-records

17

about 4 months ago

1		they love me :_archive	:_archive	800
2		Chop (audiotool mix) Carrion Haven	Carrion Haven	2817
3		yōsei etterath	etterath	3783
4		counterpart nico	nico	1173
5		▶Boots! laeven✟	laeven✟	568
6		sinking feeling atelier	atelier	1344

Batoune & The Brewers has earned something close to legendary status on Audiotool in a surprisingly short time. That may be partly due to the original and catchy name — but more importantly, it’s thanks to the infectious, pop-tinged fusion of funky house and electro. With an obvious soft spot for synths, beards, cats, and of course, beer, he brings a signature vibe to every release. His tracks are consistently danceable, professionally produced with clean mixing, and radiate a distinctly positive energy. We’re looking forward to more!

Interview

About Batoune & The Brewers

I am an old French (45 years), I live in a very beautiful region, Provence, I have been on Audiotool for about 3 years. Passionate about music since my childhood, self-taught guitarist and pianist, I navigate between electro and funk, I have been rocked by the French touch since the cradle, I have always wanted to compose my own songs. My favorite pizza is the 3 cheese pizza (Mozzarella, Blue d'Auvergne and goat cheese)

Describe the style of music you produce

My compositions are very diverse, oscillating between electro, funk and rock. I have above all the same funk, it is beyond a musical style an art of living, funk is improvisation, rhythm. In everyday life, we must try to be one of these guitar riffs that gives groove and energy to what we do.

What is your musical background and when did you start making music?

I'm an old dinosaur who grew up listening to Neil Young and Pink Floyd (the current generation on Audiotool probably doesn't know them very well). I then grew up listening to Keziah Jones and the Red-Hot Chili Peppers and later devoured the works of The Blaze and Daft Punk. I try with the greatest humility to blend these sounds with more recent textures, adding a lot of my own feeling, based on the principle that music is above all a story of sensation and freedom. I can never thank Audiotool enough for the giant leaps that the various artistic encounters I have here allow me to make. This site is amazing; it gives me so much.

How long have you been using Audiotool, and how did you discover it?

I've been using Audiotool for three years now. I discovered it by chance while browsing the internet. Since understanding the meaning of this hybrid social network, I've made it my own. It's become a second home, a new family that shares my passion and encourages, advises, and helps me in my personal development.

What is your favorite Audiotool device and why?

Definitely the Heisenberg, thanks in large part to Naswalt's videos. I find this synthesizer so rich. Il offers so many possibilities, especially for creating funk bass sounds.

What is your favourite trick in AT/What technique do you always use?

Modulating a sine wave with another shape, the possibilities are so great and so varied.

Have you ever had a writer's block? If so, how did you deal with it and what do you recommend to your colleagues

I sleep very, very little. Composing is a bit like a grandmother's herbal tea getting herself ready to sleep. Often, when I finish a track, I realize that I have nothing left to offer and that I'm like half a lemon that's been squeezed a bit too much, but after a few hours, the ideas comeback, I have so many drafts that I'll never finish, that's kind of my problem, I have too many ideas that I have trouble really following through on each one.

What has helped you the most on Audiotool to improve and widen your musical horizon?

The encounters, the wise advice, sometimes crude but always wise. You have to know how to accept being average to become good and never listen to the advice of others. The best directions I have taken in my life have often been suggested by people who were not at all in the field concerned. It is very often the candidates who have perspective and who are the most relevant! My wife is not a musician, but she has a sense of listening far superior to mine and this advice is always very valuable. It is up to me to listen to them and understand them.

What do you like most about Audiotool? Is there anything you would like to suggest?

I really appreciate the weekly charts. It helps keep me connected to the community and discover new artists. It also allows me to discover tracks from friends that have been released that I missed when they were first published.

Your message to the community:

Believe in yourself, we are all artists, now be a gardener and cultivate your talent!

Social/Music Links

Youtube: https://www.youtube.com/@batouneandthebrewers

Edition Audiotool: Batoune & The Brewers

Track #1:

LEMON SODA FUNK by Tim Derry

Tim is a fabulous French artist. We grew up listening to the same artists. His music is so well constructed and his sound design so pure that it has become for me a reference on this site and a model to follow.

[[EMBED:https://www.audiotool.com/track/e2k608gh9mf/]]

Track #2:

Out of the walls by Lavalamp

Lavalamp has been by my side since the first day I discovered Audiotool. I really like his style and his synths. You really have to take the time to listen to these tracks

[[EMBED:https://www.audiotool.com/track/zixnxub8z7mm/]]

Track #3:

Take Me by Le Voile

Le voile is an artist who introduced me to Drum & Bass. Her sound is unique, I find that she puts a lot of poetry into these compositions which are always impeccable.

[[EMBED:https://www.audiotool.com/track/5fkyb5wn6ml/]]

Track #4:

snd-300 by Sandburgen

Sandburgen is a genius. This is one of the first songs I listened to on Audiotool. I remain impressed by its finesse and the quality of these productions.

[[EMBED:https://www.audiotool.com/track/snd-300/]]

Track #5:

Voyage by althruist

The wonderful world of Althruist does me a world of good. He's so unique, I love how his tracks are constructed.

[[EMBED:https://www.audiotool.com/track/oxb34vh9xhr/]]

Track #6:

Aurora by Batoune & The Brewers

This track is a declaration of love to the woman in my life, the mother of my 2 children, who is always there for me and who knows how to understand and support me for the last 20 years.

[[EMBED:https://www.audiotool.com/track/nlmdzflb5hdm//]]

Full Album

Edition Audiotool: Batoune & The Brewers

• a-records

28

about 5 months ago

1		LEMON SODA FUNK Tim Derry	Tim Derry	10059
2		Out of the walls Lavalamp	Lavalamp	1189
3		Take Me Le Voile	Le Voile	335
4		snd-300 Sandburgen	Sandburgen	2268
5		Voyage althruist	althruist	1981
6		Aurora Batoune & The Brewers	Batoune & The Brewers	1364

Get ready to discover a hidden gem on Audiotool! BioL!nk is an incredibly underrated artist whose exceptional talent deserves way more attention. His music spans a dynamic range from raw, authentic drum and bass to house and techno, delivering tracks that are tailor-made for the dancefloor. If BioL!nk isn’t on your radar yet, we strongly urge you to change that—you’re in for a treat.

Interview

About João Eira AKA BioL!nk

I'm a 22-year-old music producer from a small village in the north of Portugal. I've been on Audiotool for 7 years now, and it's been a huge part of my creative journey. My favorite genres to produce and listen to are Drum & Bass, Dubstep, House, and Techno. Also, when it comes to pizza, nothing beats a classic Margherita for me.

Describe the style of music you produce

I produce a bit of everything, but my main focus is definitely on Drum & Bass. I love crafting energetic, dynamic tracks that blend fast-paced rhythms with deep basslines. Beyond DnB, I also enjoy exploring Dubstep, House, and Techno, bringing different influences into my sound to keep things fresh and versatile. My music is all about pushing boundaries while staying true to the raw energy that makes electronic music so exciting.

What is your musical background and when did you start making music?

I started producing music about 7 years ago, but I never really took it seriously until around 2 years ago when I began setting real goals for myself. Music has always been a big part of my life — my mom was a music teacher, my brother is a well-known guitarist, and there’s even a band in my family. But what really inspired me to make music was watching old DJ sets on YouTube from some of the greats. Seeing them perform sparked something in me and made me want to reach that level one day.

How long have you been using Audiotool, and how did you discover it?

I’ve been using Audiotool for about 7 years now. I actually discovered it by chance while I was looking for a way to produce music for free. It turned out to be the perfect platform for me to learn and experiment without any barriers.

What is your favorite Audiotool device and why?

If I had to pick just one, it would be the Pulverisateur. This device is a powerhouse for crafting deep basslines and intricate textures, making it indispensable for my Drum & Bass productions. Its extensive modulation capabilities and filter section allow for endless experimentation, and the vast library of community-created presets offers a wealth of inspiration. Whether I'm designing wobbles or evolving pads, the Pulverisateur consistently delivers the sonic depth and versatility I crave.

What is your favourite trick in AT/What technique do you always use?

One of my favorite tricks in Audiotool is using automation creatively to bring life and movement to my tracks. Whether it’s automating filter sweeps, volume changes, or effects parameters, it adds dynamics that keep the listener engaged. I also love layering different sounds to create unique textures. This approach helps me make my productions feel more alive and polished.

Have you ever had a writer's block? If so, how did you deal with it and what do you recommend to your colleagues

I struggle with writer’s block pretty often. It’s something I face almost every time I sit down to produce. When it hits, I try to step away from the music for a bit. My advice to other Audiotool users is to not stress too much about it, sometimes the best ideas come when you least expect them. Keep experimenting and stay patient. Creativity will come back.

What has helped you the most on Audiotool to improve and widen your musical horizon?

What’s helped me the most on Audiotool to improve and widen my musical horizon is the community and the ability to explore other producers projects. Being able to see how others build their tracks, experiment with different styles, and share tips has been invaluable. It’s inspiring to learn from such a diverse group of creators, and it constantly pushes me to try new things and refine my own sound.

What do you like most about Audiotool? Is there anything you would like to suggest?

What I like most about Audiotool is the way it brings together music creation and community. Being able to collaborate, share projects, and learn directly from other users in real time is something really special. It’s more than just a DAW, it’s a creative space where people grow together. I’d love to see more advanced sample manipulation tools in Audiotool, like pitch-shifting. Having those features directly in the main workspace would make it much easier to experiment and speed up the creative process.

Your message to the community:

To the whole Audiotool community, whether you’ve been here for a week or a decade — just a reminder that we’re all constantly learning. No matter how much experience you have, there’s always something new to try, something weird to experiment with, or something that just doesn’t work (until it suddenly does). Don’t be afraid to take risks or mess things up, that’s how some of the most creative ideas are born. Keep pushing your boundaries, keep supporting each other, and most of all, keep having fun. This place is what we make of it, and that’s what makes it so special.

Social/Music Links

Instagram: https://www.instagram.com/biolink_official/

Youtube: https://www.youtube.com/@biolnk5720

Spotify: https://open.spotify.com/intl-pt/artist/2Jb3oFM2q6LE3mxO3GE5HO

Link Space: https://link.space/@BioLink?fbclid=PAZXh0bgNhZW0CMTEAAaeOtK85CKScuaB4mG4YGZs8zPwq88-nUyhrSSE129gzv9qYLZMcqfQeeZIbOg_aem_-QeNgXwx63Zz3H4xi3dcnw

Edition Audiotool: BioL!nk

Track #1:

M35 by Snio

Snio is without a doubt one of my biggest inspiration here, and this track is a perfect example of how insane his sound design is. The production is incredibly clean, and every element fits together flawlessly — everything just works.

[[EMBED:https://www.audiotool.com/track/hk5txwk3/]]

Track #2:

VILE by leadenshrew

Leadenshrew has long been one of my biggest inspirations on this platform. His sound design and production techniques are truly outstanding. Exploring his projects back in the day taught me a great deal about structure, creativity, and attention to detail in music production.

[[EMBED:https://www.audiotool.com/track/33o8fg6f0x6]]

Track #3:

Metropia by eratekk

Eratekk is probably my favorite drum and bass producer on this platform. This track gives off strong classic Buunshin vibes, and the overall production is nothing short of exceptional. Truly impressive skills across the board.

[[EMBED:https://www.audiotool.com/track/5j0pudknj/]]

Track #4:

Jetdarc x Client - Covenant by Jetdarc and discord.com/Ghostwave

This track is a masterclass in sound design and mixing. Every element is meticulously crafted, from the crisp transients to the deep, textured bass, and the clarity in the mix is nothing short of ridiculous. It's one of those tracks where every sound has purpose and space. Truly next-level work.

[[EMBED:https://www.audiotool.com/track/b267lxs6h/]]

Track #5:

Chapter 1: Red Skies by SIREN

SIREN and I were fairly close and even collaborated a few times back when he was active on this platform. I genuinely miss him. He was a constant source of inspiration and always pushed me to grow as a producer. This track perfectly captures the essence of his unique style and reminds me why his work resonated so deeply.

[[EMBED:https://www.audiotool.com/track/p83dthwpz5/]]

Track #6:

Starbound (Star VIP) by BioL!nk

Honestly, this is probably the track I had the most fun making. From start to finish, it just kind of flowed and I actually really liked how it turned out! Not gonna lie, I’m pretty proud of this one, haha.

[[EMBED:https://www.audiotool.com/track/n9ydabxo3n/]]

Full Album

Edition Audiotool: BioL!ink

• a-records

23

about 5 months ago

1		M35 Snio	Snio	2338
2		VILE leadenshrew	leadenshrew	2850
3		Metropia eratekk	eratekk	622
4		Jetdarc x Client - Covenant discord.com/Ghostwave Jetdarc Client	discord.com/Ghostwave Jetdarc Client	2390
5		Chapter 1: Red Skies SIREN	SIREN	129
6		Starbound (Star VIP) BioL!nk	BioL!nk	219

Get ready to move with Sub4sax, a master of EDM who knows how to light up any party. Known for his high-energy house tracks, he brings nonstop beats that keep the crowd moving all night long. Sub4sax has made a name for himself with tracks that are all about fun and pure energy, creating the perfect vibe for unforgettable nights. His iconic collaborations with Vulkron show off his versatility, but his solo tracks hit just as hard, proving his creativity and range. Sub4sax’s music is your ticket to losing yourself on the dancefloor, with every beat and drop designed to keep the energy going. If you’re after tracks that set the ultimate party mood, Sub4sax has you covered every time.

Interview

About Dragan Usović AKA Sub4sax :

I am from Slovenia. I am 24 years old. I've been on Audiotool since 2017. My favorite style is Future House, Bass House, Deep House. My favorite pizza is "Kebab Pizza".

Describe the style of music you produce

I create a fusion of Future House, Bass House, and EDM that’s all about energy, groove, and powerful drops. My music is designed to get people moving, blending uplifting melodies with deep, gritty basslines and dynamic rhythms. I love crafting tracks that bring great melodies and intensity—whether it’s festival type tracks with soaring leads or darker, club-focused bangers that hit hard. My goal is to push the boundaries of these genres, always experimenting with fresh sounds while keeping that high-energy, dancefloor-driven vibe alive.

What is your musical background and when did you start making music?

My musical journey started long before I began producing Future House, Bass House, and EDM as Sub4sax. I grew up in Slovenia in a family where music was always present—my father taught me basic music theory at a young age, which gave me a solid foundation and a deeper understanding of how music works.

As I got older, I became fascinated by electronic music, especially the sounds of Tchami and Malaa. Their unique approach to Future House and Bass House really inspired me, and I knew I wanted to try it myself. In 2017, when I was 16, my elementary schoolmate Glitchyrichy introduced me to Audiotool, which was my first step into music production. Not long after, Vulkron helped me learn the basics of producing on the platform and guided me through the early stages of developing my sound. His support and mentorship were crucial in shaping my style into what it is today.

Over the years, I’ve worked to blend the euphoric melodies of Future House with the raw energy of Bass House while keeping that signature EDM intensity alive. Producing music allows me to bring my ideas to life, create powerful experiences, and connect with people through sound.

How long have you been using Audiotool, and how did you discover it?

I've been using Auditool for 8 years now. I discovered it through a friend of mine from elementary school. His name is Glitchyrichy.

What is your favorite Audiotool device and why?

I honestly like pretty much every device on Audiotool because the whole platform is really easy to use and understand. It gives you so much flexibility when it comes to sound design and production.

If I had to choose a favorite, it would be the Heisenberg because it allows me to shape my own sound with a lot of depth and precision. I also really love using the Pulverisateur for designing my own bass sounds—it gives me full control over the tone and character of my basslines, which is super important for the kind of music I produce. Both of these synths played a big role in helping me develop my sound early on.

What is your favourite trick in AT/What technique do you always use?

My favorite trick in Audiotool is definitely using automation to add movement and dynamics to my tracks. I love automating things like filter cutoff, reverb, and delay to make transitions smoother or create more impact during drops. It really helps bring my tracks to life and gives them a more dynamic, evolving feel.

Another technique I always use is layering sounds—whether it's with different synths, effects, or samples, layering is key to making a track sound fuller and more interesting. I tend to stack multiple layers for things like basslines or leads to give them depth and create a more powerful presence in the mix.

Have you ever had a writer's block? If so, how did you deal with it and what do you recommend to your colleagues

Yes, I've definitely experienced writer's block. There was a period of about 2-3 years where I really struggled to create any tracks, and I felt a lack of motivation. It was frustrating because I couldn't seem to get the ideas flowing, and every time I sat down to make music, it just didn’t feel right.

What helped me get through it was stepping away for a bit and focusing on other creative outlets or listening to music outside my usual genres. Sometimes, taking a break from the pressure of making tracks can give you a fresh perspective. I also recommend trying to work on smaller ideas or experimenting with new techniques—don’t worry too much about making a perfect track right away. Getting back to the basics, playing around with sound design, or collaborating with others can also help spark creativity and break through that block.

What has helped you the most on Audiotool to improve and widen your musical horizon?

What has helped me the most on Audiotool is definitely the ability to experiment freely with different devices and sounds. Audiotool has such a wide range of tools that allow me to explore every aspect of music production, from sound design to mixing and mastering. This freedom to experiment has really helped me expand my musical horizon and push my creativity to new limits.

Additionally, I’ve learned a lot from the Audiotool community. Interacting with other users, sharing feedback, and hearing how they approach music production has given me new perspectives and fresh ideas. It’s always inspiring to see how others approach sound design, and it has motivated me to try new techniques and explore different styles within EDM. This constant exchange of ideas and the collaborative nature of Audiotool has definitely been key in helping me improve.

What do you like most about Audiotool? Is there anything you would like to suggest?

What I like most about Audiotool is the user-friendly interface and the ability to create music directly in the browser without the need for expensive software. It's an incredibly accessible platform for producers of all levels, and the variety of devices and tools it offers allows for endless creative possibilities. I also appreciate the cloud-based feature—it makes it easy to work on projects from anywhere, and collaborating with others is super seamless.

As for suggestions, I think it would be amazing if Audiotool added even more advanced effects and sound design tools. Maybe more options for multi-track editing or deeper synth customization could further enhance the creative potential. But overall, I’m really happy with the platform and its continuous updates—it’s constantly evolving and always offering something new to explore!

Your message to the community:

Hey everyone,

I just wanted to take a moment to say how grateful I am to be part of this amazing community. The creativity, support, and shared knowledge here have been such an inspiration throughout my journey. From experimenting with different devices to receiving feedback from fellow producers, Audiotool has been a platform that has helped me grow and push my limits as an artist.

I’m constantly amazed by the talent and innovation that surrounds me, and I encourage everyone to keep exploring, experimenting, and sharing ideas. Let’s keep pushing the boundaries of what we can create together, and always stay motivated to keep improving! Thanks for being such an awesome community, and let’s keep making great music! 🚀🎶

Social/Music Links

Soundcloud: https://soundcloud.com/sub4sax

Instagram: https://www.instagram.com/sub4sax

Edition Audiotool: Sub4sax

Track #1:

Stagger Ft. Vulkron by Sunder and Vulkron

This is one of the first Future House tracks that i listened on Audiotool when i joined it. This track at that time really amazed me and soon after i did my own edit to it, since i was still learning the basics of auditool. Also in this track i met Vulkron and we made our first collab soon after and the rest is history hehe

[[EMBED:https://www.audiotool.com/track/stagger_ft_vulkron/]]

Track #2:

starfall. [1.5k] by synthonix

What else can i say other than this track is one of the best House tracks on Audiotool. The legendary Synthonix himself & a really good friend of mine. I love that dude, down to earth guy. The first time i heard this i was like holy crap, this dude is talented & this track was made in Audiotool? I was really amazed & i wanted to learn more from him and his melodic EDM style, which is also a big factor that shaped my music later on in my career. What else can i say, thank you Synthy for being also one of my mentors and teaching me stuff i didn't know a thing about hehe

[[EMBED:https://www.audiotool.com/track/starfall_1_5k/]]

Track #3:

Remember by Vulkron

This is the first EDM tracks that i heard on Auditool. What else can i say, i thought at that time is this Martin Garrix's ghost profile? At that time i didn't know who Vulkron was and i was really amazed at his style and i wanted to do music just like that. This EDM track is one of my fav of all time. Vulkron man, Audiotool's House & EDM legend. Without you i wouldn't be who i am today. Without your mentorship and being patient with me and teaching me to be just like you, and hey man it worked out better than ever! Everything i know is thanks to you!

[[EMBED:https://www.audiotool.com/track/remember-kxr7h0/]]

Track #4:

La La by Tocka and Avalone.

Tocka man. What a legend he is. When this track came out it was the biggest hit on Audiotool back then. Listening to it today it still feels fresh like it just came out today! Man i tell you, this track is everything you want in a House track. Future House, EDM, Future Bounce everything combined in one track, i call that perfection. Tocka was one of the reasons i kept being motivated back then. To create something on my own, have my unique style and get recognized. Tocka, thank you for the motivation & everything you have done for Audiotool. Living legend.

[[EMBED:https://www.audiotool.com/track/la_la-k5gst92qh/]]

Track #5:

Moon Cycles by Head Trauma Romance

Head Trauma Romance. This is one of the legendary people on Audiotool. For me he is currently the best House producer on Audiotool. This dude is screaming pure talent from him. I respect him so much, he is the core of House music on Audiotool. We have 3 tracks together & everytime i worked with this guy it was always fun working with him. The ideas we both share are incredible. His work ethic is phenomenal. This track of his is one of my favorites. Once i heard it i was like wow, this dude got talent and hell yeah he does! I want to thank him for bringing the best out of me and creating amazing tracks together. Legendary Artist & surely deserves more people following his music. Thank you bro!

[[EMBED:https://www.audiotool.com/track/5jtc1dotor/]]

Track #6:

Sub4sax x Vulkron - Next Level by Vulkron and Sub4sax

Everyone remember this one when it came out? What else can i say man. When i released this track with Vulkron i never in my life thought that this track is going to get so big & popular. This one ended up on youtube channel called Future House Records & currently it has over 40k views! Man! This track really changed everything for me from that day on. If i would ask myself, Sub is this your best track of all time? Hell yeah it is. I always wanted to do proper Future House. My dream was to create a melodic Future House track that is catchy and that people are gonna keep coming back to listen it over & over again. Thanks to Vulkron's mentorship we did that! We created something that will remain a legendary track & show the world that you can create anything on a DAW called Audiotool & make it go viral.

[[EMBED:https://www.audiotool.com/track/wqt80fj2a6e/]]

Full Album

Edition Audiotool: Sub4sax

• a-records

21

about 6 months ago

1		Stagger Ft. Vulkron Sunder Vulkron	Sunder Vulkron	1915
2		starfall. [1.5k] synthonix	synthonix	9617
3		Remember Vulkron	Vulkron	9667
4		La La Tocka Avalone.	Tocka Avalone.	5653
5		Moon Cycles Head Trauma Romance	Head Trauma Romance	673
6		Sub4sax x Vulkron - Next Level Vulkron Sub4sax	Vulkron Sub4sax	6352

Become a part of "Music of EWC" and get heard by 500 million viewers

What if your track became the sound of the biggest gaming event this summer?

We’re teaming up with the Esports World Cup Foundation to find bold, original producers to shape the event’s official sound.

The Music of Esports World Cup (EWC) will consist of six tracks in total: Four tracks are professional compositions which were recorded at the legendary Abbey Road Studios. The two winning tracks of this Audiotool contest will become the other two tracks of this suite of sound and be played as part of the EWC this summer.

Whether you produce the track from scratch or use one from your existing collection doesn’t matter. You will just need to submit your old track as a remix so that it complies with the guideline requiring a release date after April 26, 2025.

All styles welcome. Whether it’s cinematic, gritty, chill, or completely experimental, your sound could fuel the energy between matches at one of the most streamed events on the planet.

Think Super Bowl halftime-show energy, broadcast across millions of screens.

🏆 Prizes for the Top 2:

• Each winner will receive a USD 10,000 Artist Development & Promotion Budget. We will hire a professional artist management agency to create a personalized strategy with you. You decide how to use the budget—promote your music, record an album or hire a booking agent. If you already have a professional management, the budget goes to them on your behalf.
• 25 custom vinyl of your own tracks
• NEW: DOLBY Atmos Mix of your track mastered at TYX Studios London
• A 1-year LANDR Studio subscription for mastering & distribution
• And, of course, massive global exposure

👆You can publish your track under CC BY-NC-SA or All Rights Reserved – your choice.

👆Existing tracks (old tracks) may be submitted but must be entered as remixes with a release date after April 26, 2025.

🎯 Deadline: June 22, 2025

👉 Enter the EWC Producer Challenge now → https://www.audiotool.com/contest/ewc_2025_producer_contest-uljtxan3y

Head Trauma Romance is one of the more club-oriented artists in the Audiotool EDM scene. His music is straightforward, danceable, and true to itself. He builds one dancefloor-ready track after another. His sound feels made for vinyl—modern but aware of the roots. A testament to this is his track’s release on the Vinyl EP ATD24 TOP 6, the exclusive vinyl for the Audiotool Day contest, where it proudly secured second place. Although based in the USA, his style often leans towards the British EDM and bass music scene, blending influences seamlessly.

Interview

About: Alex Blair AKA Head Trauma Romance :

My name is Alex and I'm a TIG Welder/Manufacturer by day, Head Trauma Romance by night. I live in Richmond, Virginia. When I'm not working, I'm most likely in the studio cookin' up some tracks or occasionally gaming. I'm a big fan of the night life in my city. In recent years, Richmond has really opened up to the world of EDM and there's quite a few venues I really enjoy going to with my squad of bass-heads.

Describe the style of music you produce

I find that I'm really attracted to big basslines and catchy melodies, so I'm a big fan of House music. I'm also a bass-head myself, so I also get down with DnB, Dubstep, and Garage.

What is your musical background and when did you start making music?

I remember really getting into EDM when I was 15 and for a while thought about making it. Then, my junior year of high school was when all the schools in the county first got Chromebook laptops. My buddy actually found Audiotool first and told me about it, since he knew I was into stuff like that. The rest is history :)

How long have you been using Audiotool, and how did you discover it?

I've been using Audiotool since 2016, so about 9 years now. I know Head Trauma Romance says 8 years, but I had another account first ;)

What is your favorite Audiotool device and why?

HEISENBERG GANG. Phase Modulation is just way too cool and you should learn about it if you don't know what it is.

What is your favourite trick in AT/What technique do you always use?

I'm a big fan of the Multiband Compressor and compression in general. Recently, I learned more about utilizing the band splits on the multiband to get a much cleaner and louder sound. Also, peaking frequencies using a Curve when making a dubstep or DnB bass is a great way to make a unique sound.

Have you ever had a writer's block? If so, how did you deal with it and what do you recommend to your colleagues

Of course! Nowadays, learning something new works 9/10 times for me. When there's something new to try, it always gets me excited to get back in the studio and mess around with what I just learned.

What has helped you the most on Audiotool to improve and widen your musical horizon?

I know having access to the community is said a lot, but I truly agree. It's a huge help for me. Being able to ask questions to people that know more than me is a treat. Being able to open up someone else's track is a CRAZY cool feature that, I'm pretty sure, only this website does.

What do you like most about Audiotool? Is there anything you would like to suggest?

The fact that this is basically an underground Soundcloud is literally the coolest thing. The only thing I can think of that I'd like to see a stand-alone pitch shifter that you could add to samples and stuff. I know there are various ways to change the pitch of samples right now, but I'd just like a more efficient way to do it.

Your message to the community:

Never quit on your hobbies and aspirations! This world consists of winners and losers, and you only lose when you give up. There was a point for me when I got discouraged and almost stopped making music. I tried a bunch of other hobbies, but then I realized that my original hobby was sick, and I got back on the grind. It's ok to take breaks, but never stop doing what you love.

Social/Music Links

Soundcloud: https://soundcloud.com/headtraumaromance

Elastic Stage Vinyl: https://elasticstage.com/a-records/releases/atd-24-top-6-album

Edition Audiotool: Head Trauma Romance

Track #1:

sinister (X__________X) by X___________X

I remember this was the first track I heard that had literally the coolest sounds I've ever heard come out of this site. I love Deadface's music, and I think this track holds up to this day.

[[EMBED:https://www.audiotool.com/track/sinister_x_x/]]

Track #2:

La La by Tocka and Avalone.

This song has everything I love. Hearing this in 2018 for me was game changing and I'm still trying to get on this level.

[[EMBED:https://www.audiotool.com/track/la_la-k5gst92qh/]]

Track #3:

Jetdarc's 300 [Kibbey's Unintentional House Entry] by Kibbey

Kibbey's house music, and quite frankly all his music, is truly unique in my opinion and this is my favorite song of his. He has a very distinct sound. Like, if I was blindfolded in a dark room and you asked me to identify which song is Kibbey's, I could do.

[[EMBED:https://www.audiotool.com/track/ws0npd73uxf/]]

Track #4:

UDKBT by TEQTONIQ

Huge banger! Another artist that I strive everyday to get on their level. Teqtoniq's sound design has been and always will be sick.

[[EMBED:https://www.audiotool.com/track/jc0lvi0wa5c/]]

Track #5:

you always — by erthboy

Erthboy is a recent discover that blew me away! This track has some of the craziest sounds I've ever heard on Audiotool and the flow is hard, enough said.

[[EMBED:https://www.audiotool.com/track/rb548nz7zd1r/]]

Track #6:

SELF DESTRUCT by Head Trauma Romance

I’m pretty proud of my last track. I could nit-pick it all day and tell you what I don’t like about it, but I am for sure my own worst critique. So far, I think this is my best mix and it hits all the buttons for me. Nice melody, pumping Tech House baseline, and the vocals were really fun to work with.

[[EMBED:https://www.audiotool.com/track/i7cyjz583uty/]]

Full Album

Edition Audiotool: Head Trauma Romance

• a-records

6

about 7 months ago

1		sinister (X__________X) X___________X	X___________X	2064
2		La La Tocka Avalone.	Tocka Avalone.	5653
3		Jetdarc's 300 [Kibbey's Unintentional House Entry] Kibbey	Kibbey	2072
4		UDKBT TEQTONIQ	TEQTONIQ	1134
5		you always — erthboy	erthboy	482
6		SELF DESTRUCT Head Trauma Romance	Head Trauma Romance	1174

"What if thrash metal was chiptune?" A motto that packs a punch and is definitely not for the faint-hearted. Even during his time in the bass music genre, it was clear there was a knack for intense hardness, with the occasional heavy riff sneaking into the gritty dubstep tracks. Frequently interrupted by experimental dives into other genres like ambient, soundtrack, and EDM, the mechanical beats gradually evolved into more traditional heavy metal drum sets over the years. Now, virux is one of the most prominent representatives of the rock-oriented scene on Audiotool and still takes no prisoners. Whether in a festival mosh pit or strengthening your neck muscles at home in front of your laptop, virux definitely hits the nerve of the headbanging crowd.

Interview

About: Jair B. aka virux :

I've lived in Connecticut, USA for pretty much my entire life. Currently I'm in college studying graphic design! (My actual major's a little more complicated than that, it's just easier to say graphic design.) I joined Audiotool back in 8th grade and have been producing for around seven to eight years by now. Unlike a lot of the people who have been featured before me, I enjoy producing music more than I enjoy listening to it, and I'm rather picky about what I like - currently I'm pretty big into thrash metal, but I can be talked into liking a lot of songs if the melody's good. I'm also a big fan of emo & pop-punk music. I know for the longest time I used to hate any music with lyrics, I'm glad I've grown out of that now. My favorite pizza? Obviously, I have to rep my home state and go with New Haven style. As for toppings, I'm pretty basic - just cheese.

Describe the style of music you produce

"What if thrash metal was chiptune?" That's a question I asked myself one fateful day and this admittedly dumb idea has completely changed my view on production. Story time! I've always made the music I wanted to hear, and ever since I fell in love with rock and metal music a few years ago, it changed what I wanted to make. But I couldn't play guitar - at the time I didn't even own one, or have the money to get one. So I started out using synths, to try and replicate the sound of a guitar, but over time I grew to despise what I was producing. It felt cheap to call it rock, and steal charts and attention away from those who had actual talent. So I went back to making the same dubstep music I was growing to hate. Leaving the internet for two months in 2024 was the best thing that's ever happened to my creative output. I came back, determined to make my version of synthrock work, and I think I've finally done so in a way that doesn't detract from rock and metal, but rather highlight what makes it great. I have developed a very riff-oriented workflow, and that's how a lot of my newer songs have been built. It's been really fun.

What is your musical background and when did you start making music?

It's funny, a lot of my extended family are musicians or at least have some form of music education, but I never knew this until long after I started producing. I took a music class in 7th grade and got my first taste of FL Studio and a dinky little website called ButtonBass. I was pushed to make music for Geometry Dash levels. (ironically enough, the second I joined AT, RobTop removed the ability for new people to add their songs into the game, but I stuck with production because I liked doing it.)

How long have you been using Audiotool, and how did you discover it?

I've been here for about seven years now. You guys have RiMi to thank for that. I know him from Geometry Dash, and he inspired me to produce my own stuff, and told me to check out AT. Everyone say Thank You, Rimi! :)

What is your favorite Audiotool device and why?

Waveshaper. The ability to create your own types of distortion is something special.

What is your favourite trick in AT/What technique do you always use?

This was more applicable back when I was making dubstep, but making a still flanger using the PulsarDelay (I don't know or care if that's what it actually is.) Dial all of the sync knobs on the thing all the way to the left, and slowly dial in the millis knob until you get the sound you want. It's some good fun and really easy to set up!

Have you ever had a writer's block? If so, how did you deal with it and what do you recommend to your colleagues

Oh yeah, plenty of times. There are two ways to solve this - the fun way, or the funny way. The fun way is to take a break, listen to some music instead of trying to make it, and just relax. Recharge the batteries. The funny way is to put yourself through hellish challenges to force yourself to make something that you wouldn't normally make. Alternate between these as you see fit, but also remember, music is art, and you cannot force it.

What has helped you the most on Audiotool to improve and widen your musical horizon?

Honestly, I feel like I've made my best music after I stopped caring so much. I tainted my musical output the second I ever put my music up for distribution because now there's money involved. But you want to know how much I've made? $17. In two years. Music is not profitable unless you're willing to sell a part of yourself, so why care? Stop caring. Make what you want. Don't waste hours and hours of your life tweaking knobs to get that perfect, squeaky clean mix. Chances are your listeners will not be people using studio-quality headphones. One of the best pieces of advice I've ever gotten was from a random youtube video I was watching: "If the music's good, the audience will put up with a few weird mixing choices." I guess for a less philosphical response, I should thank Naswalt for his awesome drum template which I have since wrecked to better suit my needs, and I thank all of you for putting up with me and showing me the way forward.

What do you like most about Audiotool? Is there anything you would like to suggest?

I admire its history. I've been here for a while now, and though I've never been super super interactive in the community (thanks social anxiety), I have been a keen observer of the changes in community dynamics, music promotion, charts, and even tracks themselves over time. Say what you will about the "new" audiotool community, it's very different than it was when I first joined - and that's a good thing. To be able to visually see the change, and for a lot of the site's history to still be documented and available to anyone willing to look - that's something really special. As for something I'd suggest, batch uploading of samples. I get that my usage for it is pretty niche, I upload a lot of guitar stems for my tracks, and it's incredibly slow and painful to do so as it currently stands. Being able to export MIDI of individual machines would also be pretty nice.

Your message to the community:

For experienced users: fear stagnation. The worst kind of producer is one who's become stale, and is producing just for the sake of it. For new users: embrace the suck. You WILL be bad. Just like nobody starts off being able to run, you will not be producing the next number 1 single chart smash hit if you've never opened a DAW before. I'd suggest the manuals the AT team has put together, but also watch any music production tutorials you can find for the genres you want to make - even if it's for a totally different DAW, the techniques taught are what's important.

Social/Music Links

Instagram: https://www.instagram.com/v_irux/

Youtube: https://www.youtube.com/channel/UCKwmayZAOxXcDnYyMwF3N6Q

Hyperfollow: https://hyperfollow.com/v1rux (this link may break as hyperfollow is kind of weird.)

Edition Audiotool: virux

Track #1:

VII by Nova and bonka

I've always been a big fan of boss music, and this is some of the best on the site. Shame that it's ridiculously hard to find this track now.

[[EMBED:https://www.audiotool.com/track/nv94ioyhs6/]]

Track #2:

Delta Phi by looks

One of the best sounding songs I've ever heard on & off AT, and it was made in 2014. Insane. Don't let the cover fool you.

[[EMBED:https://www.audiotool.com/track/delta_phi/]]

Track #3:

Small rush by Amp7070

I don't think Amp7070 really knows how important this track is to my musical journey. I wholeheartedly believe this is an example of a perfect track.

[[EMBED:https://www.audiotool.com/track/hftla1k16t/]]

Track #4:

Project Epsilon - Neuron by relative mAJOR

Maybe not the most modern-sounding track here, but Project Epsilon's music is what inspired me to switch from chiptune to dubstep back when I was just starting out.

[[EMBED:https://www.audiotool.com/track/vdluc0g3j/]]

Track #5:

alibi(improv) by anodyne

I can't forget about anodyne, this man is INSANELY talented and has been one of my biggest supporters and most trusted music friends on this site. I probably wouldn't be making music anymore if it weren't for him.

[[EMBED:https://www.audiotool.com/track/60tciwin/]]

Track #6:

Fear & Forgiveness by virux

This is a track that takes what I tried to do on The Weight of Unseen Eyes and polishes it further. The track itself was born from my struggles with social anxiety, the frustration that comes with it, and the idea of forgiving myself for my weaknesses. It's a very personal track for me, and I believe it is also one of my best compositions.

[[EMBED:https://www.audiotool.com/track/6xzgxz3j03/]]

Full Album

Edition Audiotool: virux

• a-records

21

about 7 months ago

1		VII bonka Nova	bonka Nova	969
2		Delta Phi looks	looks	34724
3		Small rush Amp7070	Amp7070	702
4		Project Epsilon - Neuron relative mAJOR	relative mAJOR	726
5		alibi(improv) anodyne	anodyne	3130
6		Fear & Forgiveness virux	virux	481

In episode 8 of Cooking with Naswalt, naswalt dives into programming on Audiotool, focusing on crafting open-source alternatives to VST instruments. The video offers easy-to-follow tips for designing live drum sounds, building guitar cab emulators, and using community-driven presets. It’s a must-watch for music producers who love experimenting and shaping their sound beyond traditional plugins.

Listen to the Track: cooking with naswalt: making it from scratch!

Check out the Album: naswalt studio resources

More Tutorials by naswalt and Cal Lycus : https://www.youtube.com/watch?v=_4fht2AWAWU&list=PLuZhzj4PboMkL07sYEl6qrGwxamAuA24t

Stay tuned for more!

If you check out taiko! AKA taiko!'s, tracklist, it’s pretty clear this is an artist who refuses to stick to just one sound. While trap and its variations are at the core of his music, he pulls in influences from all kinds of genres to shape his unique style. He’s always evolving, mixing things up, and finding fresh ways to stand out in any genre he dives into. His tracks feel new and exciting but still have that signature ryzenn vibe. Every project builds on what he’s done before while also breaking new ground. It’s this blend of consistency and innovation that keeps ryzenn one step ahead and always worth listening to.

Interview

About: : Daniel AKA taiko! AKA taiko!

Hello! My name Daniel! I go by ryzenn, or taiko! as most of you know me by! I am from Virginia, lived here all of my life and I honestly love VA. I am 19, currently studying in college for my Cybersecurity degree, planning to get either my Bachelor's or my Master's degree in cyber! I have really strong passion for music and music production, and I am really into audio.

I love technology and I have a deep passion for computers and tech. I am also really into photography, and videography, and I used to be a camera operator for a live broadcasting team for a church!

Describe the style of music you produce

The type of music that I produce is mainly subgenres of hip hop and trap, I have also been trying to bring reggaeton into audiotool! Some of the subgenre that I make or have made include sigilkore, maplekore, reggaeton, hip hop, trap, wave, new jazz, jazz fusion phonk, phonk, and more!

What is your musical background and when did you start making music?

I grew up in a family of musicians, guitarists, pianists, and drummers. My dad was one of the drummers at our church, and for years, I watched him and my uncles play drums, piano, and guitars. Music was always around me, but my real journey into music production began when I was about eight years old in 2013.

Back in 2013, my dad was a reggaeton artist. He played drums, percussion, and guitar, and he often took me to a studio where he would record his vocals. I remember being fascinated by the software I saw, FL Studio 11, FL Studio 12, Pro Tools. I didn’t fully understand what they were, but I knew I wanted to learn.

In 2016, I joined my middle school’s band class and started playing drums and percussion. That experience fueled my passion for music. By 2018, I was constantly listening to trap and hip-hop, artists such as Migos, Drake, Future, Joey Trap, xxxtentacion, Lil Peep, Bad Bunny, and more, but I also loved jazz, lo-fi, and R&B.

One day in my Algebra class, I was looking for a clean version of a Fortnite soundtrack I liked but couldn’t find one. That’s when I thought, “What if I remake it myself?” I started searching for free music software on my school Chromebook and stumbled upon flat.io, Soundtrap, audiosauna (RIP Adobe Flash Player), and audiotool. Soundtrap was too complicated at first, and audiotool felt overwhelming, but I gave audiosauna a try. That was my first step into music production, I began remaking songs and experimenting with sounds.

When middle school ended and I entered high school, I only had my Chromebook to work with. I decided to give Soundtrap another shot and started making beats on there, even posting them when public profiles were still a thing. In 2019, I tried GarageBand and began producing more, though I never released anything.

Then came 2020. When COVID lockdowns hit, I spent most of my time on Soundtrap or my phone, but I felt limited. Soundtrap was getting rid of public profiles, and I wanted a new platform. My friend, guyywitbeats, was using audiotool at the time and I gave audiotool another try. It was still confusing, and my Chromebook could barely handle it, but I slowly started learning. The Chromebook I had during lockdown was the worst and the most unbearable thing, it would black out on 4 tabs, freeze on Google Classroom, and would barely run the Machiniste.

When we returned to in-person classes for my junior year, I kept pushing forward. During study hall, I’d pull out my Chromebook, put my AirPods in, and open audiotool. My passion kept growing—I even started making beats during class when I had the chance.

Senior year took things to another level. I spent more time producing and met great friends through music. One of my coolest projects was for my government class, we had to create a fictional country, and my teacher let me and my friend make a national anthem. We wrote the chords, recorded guitar parts in Audacity, and produced the entire song in audiotool. I even got to present the audiotool project in front of the class on the Smartboard, and they loved it. I also made a graduation song for the Class of 2023, which was a huge moment for me. I even used audiotool to make a gymnastics floor music mix for a good friend of mine, and that floor mix even made it to big gymnastics competitions, and even made to a national competition, and is still used to this day!

After graduating in Class of 2023, I dove deeper into music production. audiotool has been my main DAW, but I wanted to try other DAWs. I finally committed to learning FL Studio and, by winter, I bought the All-Plugins Edition for a college project. I also got Ableton Live 11 Standard and started learning both. Over time, I added Reason 12, Pro Tools, and Reaper to my workflow, pushing my skills even further.

Now, I’m here, still learning, still growing, and still passionate about music. I hope to grow even more, make more friends and make it in music.

How long have you been using Audiotool, and how did you discover it?

I have been using audiotool for about 4-5 years, and I first discovered it through a Google search back in 2018 on my school Chromebook, when I was looking around for free music softwares to make beats and make music.

What is your favorite Audiotool device and why?

My favorite device has to be the Machiniste, because its insane the amount of stuff you can do with it, and its the heart and soul for drums. Not just drums but you can load anything into it, and manipulate in a sort of way and create something completely new out of it.

What is your favourite trick in AT/What technique do you always use?

One of my favorite tricks on audiotool has to be M/S EQ. Its very cool and it allows me to clean up sounds and to clean up the stereo image of a mix, like if there's too much stereo low end, I can clean it up, or if I want to make something sound more wider, it lets me do that too! Sometimes, for my master on AT, I make a M/S EQ, and I modify the side signal, by putting a HPF at a slope of 48dB cutting around 30Hz-50Hz (really depends), and enabling a shelf, boosting around 7KHz to make the mix sound cleaner and wider

Have you ever had a writer's block? If so, how did you deal with it and what do you recommend to your colleagues

I still haven't figured out how to tackle writer's block, but a few things that I have discovered that have helped me get started with some ideas is:

1. Sometimes, its best to grab random sounds and not to think too much about what your doing. Sometimes I tend to think too much when producing. When I stop trying to force things and just experiment with sounds, it sparks new ideas that I wouldn't have gotten if I was too caught up in trying to make everything perfect from the start. I hate having a perfectionist mindset with music lol.

2. Listening to other songs for inspiration. Whether it’s a song in the same genre or something totally different, hearing how others use elements like rhythm, texture, and harmony can get fresh ideas going for my own tracks. I try not to compare myself too much, but rather use the inspiration to push my boundaries and try new things. 3. Sometimes, it's best to step out of your comfort zone. I’ve found that experimenting with new genres or styles challenges my creativity and leads to fresh ideas.

4. I like to produce on my laptop more and take it out, such as on campus, in a library, or in a student union area, I open up my laptop and tend to make music in a different place. This helps me a bit.

5. The other day, I was watching a Nick Mira video, and in that video, he was playing mediation music in the background, and started building his melodies, chords, and foundation based off the mediation music. What stood out to me was how he used the flow of the meditation music to help him craft melodies that felt calm and connected. A small change in atmosphere can influence your creative decisions. Watching that video, it felt like he was setting a mood first, then letting that mood shape the structure of the track, which was a cool approach. It reminded me of how important it is to be open to different kinds of inspiration, even from sources you wouldn’t normally use.

What has helped you the most on Audiotool to improve and widen your musical horizon?

What helped me a lot was how accessible audiotool is. I can use it anywhere and on any computer, which is just insane to me. I can access my projects from anywhere! And another thing that helped me was the community, that gave feedback and even showed me some tricks! Shout out to Cal Lycus and Client !

What do you like most about Audiotool? Is there anything you would like to suggest?

One of the main things that I love about audiotool has to be the community, because I have made some really great friends and I have met some of the most talented people on audiotool. audiotool is like a home to me. And other thing I love about audiotool is how simple it is, yet how powerful audiotool can really be, and it blows me away how its even free.

Your message to the community:

I just want to thank every single one of you for supporting me, watching me grow as a producer and as a person, helping me, giving me advice, and ultimately inspiring me to continue. Each of you has played a role in my journey, from feedback to simply liking my music, I am forever grateful for you guys. Thank you for everything because if it weren't for audiotool or for you guys, I wouldn't be where I am at today. Thank you for everything audiotool family!

Social/Music Links

Youtube: https://www.youtube.com/@ryzennox

Youtube: https://www.youtube.com/@taikomadeitt

Spotify: https://open.spotify.com/artist/64B7JKhXSKrprI8wd674tQ?si=r0X6R_hbSQac437NRWYaEQ

Soundcloud: https://soundcloud.com/taikomadeitt

Instagram: https://www.instagram.com/ryzennox/

Edition Audiotool: ryzenn AKA taiko

Track #1:

"Water" lil yatchy type beat by Momo桃.

When I first joined audiotool, this was the very first track that I listened to upon joining. It brings back a lot of memories of when I first started on audiotool back in my freshman year of high school lol

[[EMBED:https://www.audiotool.com/track/0fu0tnm82dp/]]

Track #2:

f1ow by elias and itxmi

This one will forever be a personal favorite. This was my first taste of wave, which is a style that I only make when I dedicate it to someone special. Sometimes I make wave due to the beauty of it. I love the emotion that this track conveys and it's a forever favorite.

[[EMBED:https://www.audiotool.com/track/bxnc8g0co9il]]

Track #3:

ODYSSEY [SLOWED EDIT] by bladerunner

This one brings a lot of memories back. I still remember when I first heard it, which was in my environmental science class lol. Really great track, great vibes, and I remember hearing this on repeat while doing in class assignments, it really helped me to focus and to relax.

[[EMBED:https://www.audiotool.com/track/aao46fsxs]]

Track #4:

backburner. [po9t remix challenge entry] by Uzeh

I remember when Uzeh dropped the snippet of this when it wasn’t fully done, and it honestly blew me away. This track was also my introduction to Uzeh and po9t. This song is a personal favorite of mine. Another track that gave me another taste of wave, and also inspired me to start making it.

[[EMBED:https://www.audiotool.com/track/tfk7gdlzf/]]

Track #5:

Redda x Grim Brxzy Type Beat "ERROR" by @elow

One of my first tastes into supertrap. This track opened my ears to more styles, and differents sounds that I haven’t heard before. I found this cool and also inspired me to try supertrap, even if I struggled to make it lol.

[[EMBED:https://www.audiotool.com/track/qlysw8rqcq5/]]

Track #6:

lovestory by taiko!

I chose this track because it means a lot to me. It’s a favorite among my friends and family, and personally, it’s one of my favorite beats that I’ve produced and released. This track also marked a huge milestone, got featured in an audiotool tutorial video by Cal Lycus on mastering a track, it got me my first ever beat sale and placement.

[[EMBED:https://www.audiotool.com/track/rmyqweyt/]]

Full Album

Edition Audiotool: ryzenn AKA taiko!

• a-records

19

about 8 months ago

1		"Water" lil yatchy type beat Momo桃.	Momo桃.	3119
2		f1ow elias itxmi	elias itxmi	4290
3		ODYSSEY [SLOWED EDIT] bladerunner	bladerunner	199
4		backburner. [po9t remix challenge entry] Uzeh	Uzeh	1627
5		Redda x Grim Brxzy Type Beat "ERROR" @elow	@elow	164

The wait is over! The vinyl EP for the Audiotool Day competition 2024 has arrived, showcasing the top 6 tracks from 1trillionMPH , Head Trauma Romance , Jetdarc , Client , sim and kiari & mxcii . This fully mastered collection, pressed on vinyl, comes with stunning artwork based on po9t's original AT Day designs, making it an absolute must-have.

The test pressing exceeded all expectations, and copies are now being sent to the winners. If you too want to own a copy of this vinyl, it’s available for purchase on elasticstage.com under this link. https://elasticstage.com/a-records/releases/atd-24-top-6-album.

Thanks for keeping this great tradition alive!

The Winning Tracks

1. 1

[[EMBED:https://www.audiotool.com/track/bgyevp558atn/]]

1. 2

[[EMBED:https://www.audiotool.com/track/5j5bp9a4kk9v/]]

1. 3

[[EMBED:https://www.audiotool.com/track/ke527mwnss2/]]

1. 4

[[EMBED:https://www.audiotool.com/track/rhvati4uxqxh/]]

1. 5

[[EMBED:https://www.audiotool.com/track/krv9z8xckee/]]

1. 6

[[EMBED:https://www.audiotool.com/track/vgnwo0jxk3/]]

1trillionMPH has made a unique mark on Audiotool, mixing raw, unfiltered noise with striking beauty to create high-energy experimental tracks that really stick with you. Her sound is an exciting mix of chaos and creativity, delivering an electrifying experience that pumps up and inspires listeners. Recently, she proved her skills by winning first place in the Audiotool Day 24 Producer Contest ATD24 - Top 6 —a huge achievement that highlights her talent. Always pushing creative boundaries, she keeps us hooked with her bold vision and unmistakable style. Even after so many episodes,  it’s remarkable that we can still shine a light on such timeless Audiotool legends.

Interview:

About 1trillionMPH

My name is rings aka et setera aka fireworks aka 1trillionMPH aka 1 aka musicenjoyer919 aka tj the mom treater. I'm from Oklahoma! I recently moved back after a couple of years in Texas, and I'm ready to dive into the local music scene. If you're feeling alone, I recommend going to a 50-cap venue and just enjoying the music. Everybody in that room is there for the same thing; it's an amazing feeling!

Describe the style of music you produce

My influences have changed dramatically recently, so my style of music has been changing too. Nowadays I make stuff inspired by Kendrick, Deftones, Björk, and Cuquimamani-Condori, and as you scroll down my discography into the past, it gets closer to that gamer festival EDM that was all over Minecraft Let's Plays in 2014. All that is still in me, of course, just mixed with everything else I've been into over the years, from noise to DnB to shoegaze to rap, etc.

What is your musical background and when did you start making music?

I grew up in the church, and basically, for as long as I can remember, I've wanted to be on a stage. I was writing songs about God when I was like 7 or 8 years old. Then one night, my favorite radio station played an electro remix of some Christian rock song, and from there, I was hooked. Sometime after that, I found Approaching Nirvana in the background of a Minecraft build timelapse, and after I saw them working on a song on a livestream, I knew it was what I wanted to do.

How long have you been using Audiotool, and how did you discover it?

Immediately after that livestream, I started looking for ways to make music, and after I saw all the major DAWs had a price tag, I googled "free online music maker" and found Audiotool. That was 2014, and I've been using it ever since.

What is your favorite Audiotool device and why?

The Pulv! With the right effects, it makes almost every sound I want it to make. It's the backbone of everything.

What is your favourite trick in AT/What technique do you always use?

The ring mod is so underrated! I can take an output from a synth, split it, reverb one side, and put them both into a ring mod, and it creates this insanely dynamic sound that takes you on its own path. So much fun to listen to.

Have you ever had a writer's block? If so, how did you deal with it and what do you recommend to your colleagues

Listen to something new! Try out that album you've heard about but never got around to. Go to a local show and see what the people around you are making. Talk to people, go outside, etc. If your influences are ever-evolving, you'll have a deep well to draw from.

What has helped you the most on Audiotool to improve and widen your musical horizon?

Remixing. One of the main draws to Audiotool is the remix feature. You can open someone else's draft, poke around in their process, see what they did, and copy it. Copy it well! Just be sure to keep your ego in check and don't claim it's all your own. Nobody does it all on their own. A humble artist is a long-lasting one.

What do you like most about Audiotool? Is there anything you would like to suggest?

I love the music and the people that make it. I'd like to use this box to suggest the Audiotool team focus on the site outside the studio, because that's where the music is listened to! It's where the people talk to each other! The studio-direct-to-platform model is unique, and it's what drove the community in the 2017-2020 days. I want to see that utilized properly to create more lasting friendships like the ones I have today.

Your message to the community:

Speak for yourself only. Go out, experience the real world and the people that live in it, and learn from them. There is a strong community near you, and it will become stronger with you in it. Music is everywhere you are, and you are every song you've ever loved. Make music forever!! EGG DUNGEON SWEEP!!!!!!!!!

Social/Music Links

Bandcamp: https://1trillionmph.bandcamp.com/

Edition Audiotool: 1trillionMPH

Track #1:

carrion / carryon / goddamn / goddamn by Carrion Haven

The whole loop remixes moment was so amazing, and something that couldn't happen anywhere else but audiotool. love u sid egg dungeion sweep.

[[EMBED:https://www.audiotool.com/track/q5vzehwmj4/]]

Track #2:

dojo futon (alternate mix) by laeven✟

Formulation is up there in greatest audiotool projects of all time. this should've spawned a whole new computer juke genre. laev i wanna see u at the top with me, don't forget that. iemisa

[[EMBED:https://www.audiotool.com/track/qsw6b6tst/]]

Track #3:

angelic affair by sky bound zoo

The choppy percussion on this is soooo well done. it's a groove i don't think i've heard anywhere else. i need this to be 6-8 minutes longer

[[EMBED:https://www.audiotool.com/track/20m0d7hqg0/]]

Track #4:

Pills and Syrup by embr

Classiccccccccc. timeless and a beautiful example of that audiotool sound. shoutout piss foley as well 👍

[[EMBED:https://www.audiotool.com/track/ji4w5ozlf/]]

Track #5:

SUPERTASK by leadenshrew and Carrion Haven

This is how it's done. gonna go down as one of the best most well-made and complete tracks on audiotool. the skill really shines thru EGG DUNGEON SWEEP

[[EMBED:https://www.audiotool.com/track/yk5o7krfg5l/]]

Track #6:

FARTHER by 1trillionMPH

When sophie died i sat in my car and cried a bit, reading all the posts about her and quoting her on twitter. I realized what music is supposed to be, and i went home and made this. She's still an inspiration as a human being and it took me this long to even begin to catch up to her. Love the people around u and yourself and make music forever <3

[[EMBED:https://www.audiotool.com/track/jlnd8baa6z/]]

Full Album

Edition Audiotool: 1trillionMPH

• a-records

18

about 8 months ago

1		carrion / carryon / goddamn / goddamn Carrion Haven	Carrion Haven	1462
2		dojo futon (alternate mix) laeven✟	laeven✟	2811
3		angelic affair sky bound zoo	sky bound zoo	808
4		Pills and Syrup embr	embr	1539
5		SUPERTASK leadenshrew	leadenshrew	3226

naswalt returns with a new episode of Cooking with Naswalt, this time exploring his core expertise: synthwave. With rich synth textures, crisp drum patterns, and powerful basslines, this tutorial dives into the essentials of a genre that blends nostalgia with modern flair.

The episode also features a genre-typical video that perfectly complements the track Naswalt creates, bringing the atmospheric world of synthwave to life. And here’s a twist to keep you guessing—find out what crafting a synthwave track has in common with making a grilled cheese sandwich.

Whether you’re a synthwave enthusiast or just curious to try something new, check out the finished track in the Studio. You might even be inspired to whip up your own synthwave creation! cooking with naswalt: how to synthwave

Stay tuned for more!

anodyne , previously known as Hurakan, began his Audiotool journey crafting incredible atmospheric Synthwave, pulling listeners in with immersive soundscapes and emotional depth. Now, he’s leveling up, focusing on his skills as an indie inspired singer-songwriter, blending introspective lyrics with rich melodies. While evolving his sound, he stays true to his roots, delivering breathtaking ambient and experimental tracks. His artistic growth is inspiring, leaving a unique mark on the Audiotool community.

Interview:

About anodyne

I'm from New York, always have been, although I've move way too many times already(at least like 15 times). I've been with Audiotool since I was real young, maybe 8, so I've been on here 9 years. As for my favourite style of music, I gotta say something with rock, maybe more alternative. As for my favourite pizza? Stuffed crust with 5 cheese, tomatoes, basil, pepper, onion, and some fried apple(it's amazing).

Describe the style of music you produce

Absolutely anything, with the exception of metal, country, and trap. I don't limit myself to a specific genre consciously, it would ruin my creative workflow. I honestly just make whatever is on my mind, and then channel that into whatever genre or form of music it turns out to be, whether its rock to ambient or to vocals or none. I just make music :)

What is your musical background and when did you start making music?

All my siblings are into art in some form or another, and my dad used to sing in a choir, and my mom is a whizz with plants and decorating, so overall it's a VERY artsy family. I never really played any instruments until a few years ago, other than the occasional piano thing. I really got into guitar because of Lucas Astoria, and from there, I just fell in love with it. I started making music 9 years ago(kinda), but nothing serious until I made my Hurakan account(3 years ago).

How long have you been using Audiotool, and how did you discover it?

I started AT when I was 8, but it was never serious, not until I was maybe 13(?). I've always been into music, and always wanted to play instruments and sing, but couldn't too well at that age, so I googled some free music sites and found Audiotool. I made an account(Noahb@oreoarmy, dont judge) and I started getting more serious on that. A couple years later, boom goes that account, and I move on from music for a bit. Another couple years later and I'm like: "oh hey, what's this bookmark?", and thus, Hurakan is born.

What is your favorite Audiotool device and why?

The pulv. How else did you expect me to answer? I think it's been(doing some research) actually more than 5 years since I made a song completely without it(excluding meme tracks). It's just something I KNOW how to use, exactly how I want to. I hear a synth in my head I want, I can make it on the pulv, like 80% of the time. With other synths it's different. Imma go extra and give my favourite effect: Helmholtz

What is your favourite trick in AT/What technique do you always use?

Not sure if this is specifically what ya'll are asking, but I know a lot of people don't know these tips: In studio, you can press tab with the synth area open and it'll give you a blue box with a zoomed out view of your draft. You move the box where you want it and release tab, and boom, you're there. Also works with moving devices. If you press 2 on your keyboard and select a bunch of devices, and then try to move them as you usually would while pressing tab, you can move the whole block much faster. Neat little organization trick and movement trick that saves me a bunch of time :)

Have you ever had a writer's block? If so, how did you deal with it and what do you recommend to your colleagues

Of course I've had writer's block! It makes me feel like UUOGAWOOGUUAHH, you know? I have a couple of ways to deal with it, depending on how severe it is or how I'm feeling. Sometimes I'll listen to some music to try to get inspiration. Other times I'll just go into the studio and make garbage on purpose, to kinda spurt my brain into realizing it's time to lock in. And sometimes I don't make music at all, I just let my brain recover from the burnout(which is what writer's block is, in my opinion). Sometimes the best course of action is inaction.

What has helped you the most on Audiotool to improve and widen your musical horizon?

I mean, obviously the community as a whole, getting to see other people's work ethics and how they make their music and whatnot. But for specific artists, I gotta go with Lucas Astoria. Without him, I would have NEVER picked up guitar again, and to be honest, I probably would have quit music. He was there at such an important turning point in my life, kind of a make or break moment with my relationship with music. He helped light that fire back inside me, gave me the mental push and adrenaline I needed to keep going. He's one of the best guys I've ever had the chance to meet, both musically and humanly(if that word makes sense). Go check him out

What do you like most about Audiotool? Is there anything you would like to suggest?

I love the openness of it. Everyone can communicate freely to help each other learn and lift themselves up. Obviously, there are negative side effects to openness, as there always is, but 99.99% of the time, Audiotool is great at communication and sharing, which gives us an edge over other DAWS.

Your message to the community:

Be patient. I've tried to learn this all my life, not even in just music, but for everything. I was always a chaotic kid; loud, obscene, and an unstoppable energy ball. While there's truly nothing wrong with that, it's important to learn to slow down and be patient with the world around you. Just remember: breathe

Social/Music Links

Tiktok: https://www.tiktok.com/@noahisnotthere

Instagram: https://www.instagram.com/noah._.ishere/

Youtube: https://www.youtube.com/channel/UC70YqNevJfSZnT2jrr_-U-w

Linktree: https://linktr.ee/hurakanofficial

Spotify (I'll add here eventually!): https://open.spotify.com/user/3134xicrdar2ynh4rd7sptmc7ae4

Edition Audiotool: anodyne AKA Hurakan

Track #1:

sinking feeling by atelier

This track has completely changed my life in a way no other song ever has. Nothing but the utmost respect and love for such an amazing artist. I BEG you to him out.

[[EMBED:https://www.audiotool.com/track/74o8qx2a1hpy/]]

Track #2:

meant to be by mavis

I made more art listening to this song than I have in a long while. Every single art class, I would have this on repeat for hours, just drawing and drawing and drawing. It's pure bliss.

[[EMBED:https://www.audiotool.com/track/xjcdnxr1sr/]]

Track #3:

Blue Bird by Lucas Astoria

I was there the whole time watching him making this stuff. It's crazy watching such a talented guitarist just make something so freaking cool. And then when he showed it to me the first time? BLUE BIRDS STARTED FLYING PAST US! Like, what??!?!?! It has a soft spot in my heart, for sure :)

[[EMBED:https://www.audiotool.com/track/jpxo4itkva/]]

Track #4:

your side w/ civility by sim and CIVILITY Just an absolute banger by my favourite duo in AT, hands down. Their styles merge so well and form into something extremely satisfying, both as a musician, and as a regular listener. 11/10 track, would definitely recommend to everyone I meet.

[[EMBED:https://www.audiotool.com/track/cfpff6lg/]]

Track #5:

Lime by Amp7070

One of my favourite artists on AT, highly underrated, and an amazing voice. Mix that in with his incredible synthwork and just wow. Lime is just very catchy to me, and I love trying to sing it in the accent as well :)

[[EMBED:https://www.audiotool.com/track/83mfygw1qs/]]

Track #6:

alibi(improv) by anodyne

This was a close tie with Driving Lithuania III, but Alibi is the exact showing of who I want to be as an artist. This is who I want to be musically. Something about this song just heals me a little bit more each time, even if I don't know why. If you're looking at my stuff, this is the track I hope you find first.

[[EMBED:https://www.audiotool.com/track/60tciwin]]

Full Album

Edition Audiotool: anodyne

• a-records

22

about 9 months ago

1		sinking feeling atelier	atelier	1344
2		meant to be mavis	mavis	504
3		Blue Bird Lucas Astoria	Lucas Astoria	292
4		Lime Amp7070	Amp7070	1255
5		alibi(improv) anodyne	anodyne	3130

Hello everyone,

A fresh episode of Audio Alchemy with Cal Lycus is here, and it’s all about transforming your mixes! Cal dives into the world of auxiliary sends—tools that let you send parts of your audio to effects like reverb or EQ, adding depth without altering the original track. Using the track multitude by anodyne , he breaks down auxiliary sends, returns, and buses, showing how they can make your mixes more cohesive and dynamic. With hands-on examples and practical tips, Cal guides you step-by-step through techniques to create richer, more professional soundscapes. Don’t miss out—watch now and elevate your mixing game!

More Tutorials by Cal Lycus and naswalt here: https://www.youtube.com/playlist?list=PLuZhzj4PboMkL07sYEl6qrGwxamAuA24t

Le Voile started her musical journey 12 years ago on Audiotool as a teenager, where she first showed off her raw talent and natural feel for music. Back then, she went by the name 'zir0h,' experimenting with sounds and shaping her unique style. Over time, she’s grown into a confident, dynamic artist, creating bass-heavy, danceable EDM tracks that keep listeners hooked. Inspired by mainstream styles, she adds her own bold, edgy twist that sets her apart. Le Voile is such a great addition to the community, and we can’t wait to see what’s next!

Interview:

About Le Voile AKA Zir0h

I’m LeVoile, an artist and producer with over 10 years of experience creating music on Audiotool. Outside of music, I’m a fan of gaming, movies, and animation. My favorite dish is gyoza. Favorite childhood cartoon: Spongebob Squarepants (Seasons 1-6 only IYKYK) Current Favorite Adult cartoon: Smiling Friends, DanDaDan. One day I want to commission someone to make sick music videos for my music, like Ganja White night has.

Describe the style of music you produce

My favorite styles blend dark, gritty, and wet, drippy bass sounds, where bass-heavy textures meet emotional depth. While I haven’t fully explored gnarlier territory yet, it’s where I’m headed, and I’m always pushing my boundaries to get there. For me, music is about helping an idea become the best version of itself, and I love sharing that creative energy with others.

What is your musical background and when did you start making music?

My musical interest started when I was small, lying on the living room floor with my dad as he played his big stereo loud on Friday nights. He’d talk to me about his love for music and musicians, sharing songs and stories that sparked my passion. My musical background started in 5th grade when I picked up the alto saxophone, an instrument I played all the way through high school and into my freshman year of college. During high school, I also began playing piano, and I took classes to learn to read and write music. While I had to sell my saxophone to help cover tuition costs in college, I continued playing piano, taking private lessons for about five years until my teacher passed away while I was away at school. Even now, I still play piano, which remains a grounding force in my life.

How long have you been using Audiotool, and how did you discover it?

My love for audio and music production came later, with my introduction to EDM—specifically Americanized dubstep (Scary Monsters and Nice Sprites by Skrillex). I had never heard anything like it before, and began to listen to it often. In high school, my friends and I would go on night drives in his car (he had custom sound system with 2 subs), and we would surf Youtube for sick dubstep tracks. One day we found a track that had these gnarly growls and different jungle sounds that was really cool. I can't remember the name of it though. My friend read the description and the artist basically said that he made the song on Audiotool for free, and when I discovered I could create music like that, and even better, for free? As a broke high school kid, this was thrilling. The rest was history.

What is your favorite Audiotool device and why?

It's honestly a toss-up between the Quantum, and the Heisenberg. On one hand, a multiband compressor makes a huge difference in the final product and is super useful in a lot of ways I don't even completely understand yet. Plus, OTTs, of course! I know it's easy to pick a synth, but you literally have no sound without a VST, and the Heisenberg is so versatile! I constantly find parallels to some of even the most popular modern VST plug-ins.

What is your favourite trick in AT/What technique do you always use?

Modulate a Sine wave with a Formant II wave. Normally, you'd want a Formant II filter type, but this works just as well in combination with some clever EQ automation. Those two were born to be together.

Have you ever had a writer's block? If so, how did you deal with it and what do you recommend to your colleagues

insert laughter Like every single day! But the true writer's block comes directly after I release something, mostly because I've been spending so much time focused on one thing. I like to Find a loop of some sort of busy noise, like a crowd talking, or people laughing. Or, pick a TV show, maybe your favorite one, and watch a few of your favorite episodes. Isolate a 30 second span or compile some snippets of lines from shows or movies that sounds the most fun to you. Put it all in a pile, and chop it up into 1/8 bar or 1/16th bar bits. Mix and match to taste and lay it over a beat. When I have literally no ideas, this is what I do for fun. If you can't find anything online, try going out into your own local community with any recording device and find your own! This at least gets me out of the house, which always stimulates my brain.

What has helped you the most on Audiotool to improve and widen your musical horizon?

Live collabs are a really nice feature. I remember when that wasn't a feature, and collabs were a lot slower going! It was harder to leave notes, or actively communicate without using a third party app.

What do you like most about Audiotool? Is there anything you would like to suggest?

I still personally use third party apps for voice and video communication. It would be really nice to see Audiotool upgrade that DAW feature to be more on par with services like discord, or at least find a way to embed Discord feature into the audiotool DAW. Discord is also a big hub for gamers, and given Audiotool's recent community alignments/contests, could be a good business venture in future years. plus Audiotool literally has a discord page. It just seems like a natural thing to do, rather than managing it yourselves.

It would also be nice to see Audiotool offering contest prizes that would attract more serious artists, especially those outside of the platform that haven't heard about Audiotool. I know due to it's free availability, it's going to attract a demo of less experienced artists who want to make a name for themselves or get better. It would be impressive to see Audiotool devs to come up with a way to attract experienced artists to it's platform, like professionals and teachers. I feel like these are the people that will truly carry Audiotool further than a 14 year old without a credit card. Cash prizes would be nice, although I don't know the logistics on that stuff.

That's all literally off the top of my head, so take it with a grain of salt. I was a college dropout.

Your message to the community:

I strive to speak with positivity and hope, but I am not perfect, nor do I wish to pretend I am. There have been times when I’ve struggled to express myself with the grace and dignity I aspire to, but I’ve worked hard to grow. I believe I’ve made significant progress, though I still have days when I fall short. Growth isn’t a straight line—it’s a journey, and one that I am fully committed to.

One quote that has carried me through my darkest moments is this:

Our deepest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure. It is our light, not our darkness, that most frightens us.

Your playing small does not serve the world. There is nothing enlightened about shrinking so that other people won’t feel insecure around you.

We were all meant to shine as children do. It’s not just in some of us, it’s in everyone. And, as we let our own light shine, we consciously give other people permission to do the same.

As we are liberated from our fear, our presence automatically liberates others."*

This is my favorite quote of all time, and I share it with everyone I know because I want them to feel loved and inspired too. It reminds me, even in my hardest moments, to embrace my light and let it shine for others to see.

To anyone starting out, feeling like no one believes in you or that you can’t succeed doing what you love: you can. Your talent is real, even if others don’t see it yet. Believe in yourself, even when it feels like no one else does. Don’t give up on your passions. And never, ever be afraid to be yourself. The world needs your light, and when you let it shine, you’ll inspire others to do the same. There’s a strength in authenticity and love that can change lives—not just your own, but everyone who gets to witness it.

Social/Music Links

Facebook: https://www.facebook.com/PiperSnipes4'''

Instagram: https://www.instagram.com/le_voile_music/'''

Youtube: https://www.youtube.com/@LeVoileMusic'''

Bandcamp: https://levoile.bandcamp.com'''

Edition Audiotool: Le Voile AKA Zir0h

Track #1:

Explosion! VIP by RiMi [Hiatus] XculE

An absolute BANGER by a couple friends of mine. After I met these guys, I began feeling more excited and supported than I had in a very long time. Their support and talent in this work were very important and inspiring to me.

[[EMBED:https://www.audiotool.com/track/brqlyrou57/]]

Track #2:

TRAUMA by JayFK

A fine example of what community can do! I remember chatting with JayFK about my newfound love for Rezz after seeing her and hearing her music live for the first time and my very first EDM festival. I shared my excitement with him, and I think it rubbed off a little because shortly thereafter he dropped this monster hit.

[[EMBED:https://www.audiotool.com/track/3hzoc0m8ox/]]

Track #3:

Zero Light by Grawlix

This mean bugger blew my mind, and when I first heard it, I was once again convinced that there was real dubstep potential hidden deep in the valleys of Audiotool DAW

[[EMBED:https://www.audiotool.com/track/f72sucv3ljqj]]

Track #4:

Raspberries and Peaches by EscapingReality

A beautiful, fun, melodic little song. It takes me back to the earlier days of producing on Audiotool, and reminds me that good music doesn't need to be all that fancy or complicated. It just needs to have soul

[[EMBED:https://www.audiotool.com/track/6lxl7otw/]]

Track #5:

Simplistic| by CeRiXyn

This is by far my favorite track on Audiotool of all time, and that's really saying something because this platform has so much good music. I feel like this track just describes me as a person, and it makes my heart swell and my foot tap every time I hear it <3

[[EMBED:https://www.audiotool.com/track/n8j51h1gcts/]]

Track #6:

T1M3 by Le Voile & JayFK

[[EMBED:https://www.audiotool.com/track/ooliicmv6/]]

Full Album

Edition Audiotool: Le Voile

• a-records

25

about 9 months ago

1		Explosion! VIP RiMi [Hiatus] XculE	RiMi [Hiatus] XculE	780
2		TRAUMA JayFK	JayFK	582
3		Zero Light Grawlix	Grawlix	938
4		Raspberries and Peaches EscapingReality	EscapingReality	243
5		Simplistic| CeRiXyn	CeRiXyn	467
6		T1M3 Zir0h JayFK Le Voile	Zir0h JayFK Le Voile	787

Hello Everyone,

Naswalt is back, keeping his promise of a video for each style with a brand-new trap tutorial! Following his popular bass music and rock tutorials, this latest installment comes complete with an epic genre-typical video showcasing the finished track—and Naswalt himself braving the snow in a quiete emotional way.

We want to thank Naswalt for sharing his insights into a music style that continues to dominate global charts. We can’t wait to see what he has in store for future genre tutorials!

Hit that link, click Remix, and see what Naswalt’s made in the Audiotool Studio. Who knows? You might end up creating your own banger! cooking with naswalt: how to trap

Stay tuned for more videos to come!

If you ask AI about the extra "h" in althruist it comes up with an interesting theory:

*Alt could signify alternative perspectives, alternative music, or countercultural ideas.

*Thru might represent going "through" something—be it emotions, struggles, or life’s journeys.

For those unfamiliar, an altruist is someone who selflessly puts the well-being and needs of others above their own.

Whether the artist intentionally crafted this wordplay is unclear. What is clear, however, is that he embodies the spirit of altruism—approachable, generous, and deeply connected with our community.

His music is not only alternative but also strikingly unconventional and unique. This brings us back to "Alt." He is on a shared journey with us, one that began "Thru" music four years ago and, hopefully, will continue for many more.

Because altruists are exactly what the world needs. And if they also create exceptional music like his, then the future’s looking pretty bright.

Interview:

About althruist

I'm from a little fish-shaped island in the middle of the Mediterranean sea (Malta), 17 and I'm currently in my second year pursuing an Advanced Diploma in Multimedia Software Development! I joined Audiotool in 2020 (absolute bonkers, I still remember the first day LOL) when I was around late-12, early-13, give or take. I love so many types of music that I can't describe here, but to put it into simple terms, I love alternative music; usually leaning on Electronic and Future Bass, not limited to though! I'm not a big pizza guy, but I'll never say no to barbeque chicken pizza 🤤🤤. (unless i'm full)

Describe the style of music you produce

I am absolutely HORRIBLE in identifying any kind of song, so I may be way off with how I describe my own music. However, i'd describe my style as varied. I think my leading genres are Synthpop, EDM, Ambience, Future Bass and Electro.

What is your musical background and when did you start making music?

I've always desired to make music since a very young age apart from programming, but sadly I never had a 'traditional' opportunity to kickstart my musical journey. I can't pin down exactly where I've started, however since I was 10 (when I got my first laptop) I've always searched "FREE MUSIC SOFTWARE [insert year]!!1!" and I've tried countless online and/or freeware DAWs: Soundation, Soundtrap, Beepbox.co, Music Maker, LMMS and probably more; which all came down to Audiotool today!

How long have you been using Audiotool, and how did you discover it?

I've been using Audiotool for 4 years now. I discovered Audiotool from a frustrated Google search: "Free Music Software 2020", and then, the great Audiotool hyperlink came up! I still remember how excited I was when I first discovered it.

What is your favorite Audiotool device and why?

Pulverisateur. I doubt I spelled that right. Alas, despite it's simplicity, it has that ⭐Audiotool sound⭐ which I just can't get over, I LOVE IT.

What is your favorite trick in AT/What technique do you always use?

Unconventional, but I love messing with the base frequency. When I'm not feeling a song, I usually switch from 440 to 400, 380 or 410. That usually changes EVERYTHING, and it's inspired me in so many ways!

Have you ever had a writer's block? If so, how did you deal with it and what do you recommend to your colleagues

Agh, my worst nightmare. Truthfully I haven't discovered a good way to deal with it, however, out of being upset about it, I usually mess with random sounds. It doesn't matter how bad the sound sounds, but sometimes it can sound good enough to just spark something in my head to create something.

If that doesn't work, I'll watch a children's film from the 1960s or something like The Sound Of Music. I love old children's movies, and they usually spawn intense inspiration in me! So, I'd just watch a film of your interest. Maybe a kind of film that you love so much where if you could, you'd act in it; Ideally musical films. Subjective, but might help! :)

What has helped you the most on Audiotool to improve and widen your musical horizon?

The community itself is what shaped me to what I am today, and it is still impacting me today (positively!). I am ever so grateful to everyone that has been with me from the start, and a big shoutout to Cal Lycus. That man has patience, and taught me almost everything I know today.

Alas, I'm also inspired by several artists, such as acloudyskye. It's emberrassing how many times I've put his song on repeat to just decipher what he has done, and the countless remixes LOL

What do you like most about Audiotool? Is there anything you would like to suggest?

I love it's essence and the sense of community within it. As cliche as this sounds, it's almost like another family to me. I love how friendly it is towards new producers (even those that NEVER touched a DAW in their lives or a musical instrument) and, the fact that it's FREE! I know I was blown away when I was 13.

I'm a total UI design freak, I would love to see new refreshed designs across all devices and even the interface of the studio and the website! Also, hint hint, feel free to take my concepts in consideration hehe... more coming soon Audiotool. >:))))

OH OH, and please consider creating the possibility of midi tracks using samples!!! I'd love to make my own voice (or my bird) into a whole melodic thing, and an LFO device!!

Your message to the community:

jekk ma tippruvax, ma tkunx taf! (if you never try, you'll never know!)

Social/Music Links

Instagram: https://www.instagram.com/althruistic_/

Youtube: https://www.youtube.com/@althruistic

Edition Audiotool: althruist

Track #1:

Runaway by acloudyskye

This was the first song I've remixed and dissected, and I have used its qualities in several of my songs!

[[EMBED:https://www.audiotool.com/track/runaway-fnwfb/]]

Track #2:

dinosaur friends by embr and solar plexus

It's one of my first favourited songs, there's just something about it that makes me love Yoshi more.

[[EMBED:https://www.audiotool.com/track/gv1pntgkyf/]]

Track #3:

Repeater by acloudyskye

Another one of acloudyskye, there's just something about that sound design that makes me want to listen on repeat 105 times!

[[EMBED:https://www.audiotool.com/track/iuvlxv9f/]]

Track #4:

polyfiction by xoelmusic

I discovered this when I joined, so it's a little sentimental to me. Plus, YUMMY BASS UGH!!!

[[EMBED:https://www.audiotool.com/track/pit66himg28/]]

Track #5:

QUERENCIA by Tim Derry

There's something so summery in this, for some reason it makes me envision a yellow house with a blue sky. Scratches an itch in my head.

[[EMBED:https://www.audiotool.com/track/u4z5rf3e/]]

Track #6:

Voyage by althruist

This by far is the best one that describes my style. It still needs a lot more refinement, but it's the one where most of my emotion has been expressed the way I wanted it to!

[[EMBED:https://www.audiotool.com/track/oxb34vh9xhr/]]

Full Album

Edition Audiotool: althruist

• a-records

24

about 9 months ago

1		Runaway acloudyskye	acloudyskye	21206
2		dinosaur friends embr solar plexus	embr solar plexus	14088
3		Repeater acloudyskye	acloudyskye	4783
4		QUERENCIA Tim Derry	Tim Derry	1002
5		Voyage althruist	althruist	1981

We're kicking off a new season of our 'Featured Artist' series with Uzeh , a key figure in our trap community. Uzeh's consistent production output and dedication to refining her craft have made her an indispensable part of our scene. Her versatility shines as she seamlessly explores both emerging and classic subgenres, continually pushing creative boundaries. We're happy to begin this new round by spotlighting Uzeh and the remarkable contributions she brings to our community.

Interview:

About Uzeh

I am originally from the United States, however I currently live in Germany where I attend University and have a job. I found Audiotool in Sophomore year of high school through a classmate in a Game Development class. I started by messing around in the studio and it turned into this 8-year journey (which is over 1/3 of my life). I really didn't expect to enjoy Audiotool as much as I did. I expected it to be some one-off thing that I do for a couple of months then forget about. Without Audiotool, I doubt I would even be into music production today. Thanks Audiotool! <3

Describe the style of music you produce

My favorite genre to create and listen to is definitely wave trap. The melodies are absolutely beautiful, and the type of drums you can put over those melodies are endless. I also enjoy making Supertrap, Plugg, Drill, Rage, Phonk, and many more. I love repurposing things, such as melody's/acapellas. If I feel something is lackluster, I make my own remix of it to my standards.

What is your musical background and when did you start making music?

I learned to play the Violin in Elementary School, the Trumpet in Middle School, and the Piano in High School. My first experience making music was on Audiotool in my Sophomore year of High School.

What is your favorite Audiotool device and why?

I was going to say the Quasar, but the Machiniste is definitely my favorite device on here. For example, having the ability to automate pitch on samples is an essential feature when you use sampled 808's/hi-hats with rolls for Trap music.

What is your favorite trick in AT/What technique do you always use?

I don't always use it, but I created a preset that allows me to change the pitch of melody samples using PitchDelay. You can find it in my presets list :P

Have you ever had a writer's block? If so, how did you deal with it and what do you recommend to your colleagues

I've had more times than I'd like to admit where I have no ideas. I'd recommend listening to other people's music, especially genre's you don't usually work in to give you some inspiration :D

What has helped you the most on Audiotool to improve and widen your musical horizon?

Connections. The more people you know, the more creative minds you get to work with. You learn more from collaborating with others.

What do you like most about Audiotool? Is there anything you would like to suggest?

I like that the community is very small and tight knit, it's like a small town. Connecting with people is as easy as posting a message on someone's wall. As far as suggestions, bring back showing how many uses/likes a preset has. Also, you should be able to filter samples in the App easier. We are in need of a newest/newly uploaded option! Sorry, I'm brutally honest lmao. Regardless, those are a few very small nitpicks on an overall amazing site. I really appreciate all of the work by the Audiotool Team that's gone into making this site what it is <3

Your message to the community:

I'm very grateful for the opportunity to be a featured artist, I never expected this. Thank you, Audiotool team and Audiotool community! Long Live Audiotool <3

Social/Music Links

My Discord is "inapprehensible". Add me :P

Edition Audiotool: Uzeh

Track #1:

"$werve" feat. Collab Gang by Vinnie BYE BROS (lil nemo) y☯k and Inactive User

One of the first tracks I listened to on the site. saturday/Vinnie made some bangers during his time here and this is no exception. The simplicity of the drums really does it for me, it has a nice bounce. This track was the foundation for a lot of my earlier work.

[[EMBED:https://www.audiotool.com/track/werve_feat_collab_gang/]]

Track #2:

sanctuary. by itxmi

noah. is an artist that I've known since the beginning of his Audiotool career and I'm so proud of his growth. I love every part of this beat; the distorted 808, hard kicks, harsh snare, it's a nice contrast to that soft vocal sample. I can't stop coming back to it! Check Itxmi out if you haven't already.

[[EMBED:https://www.audiotool.com/track/pxy8wzncz9mx/]]

Track #3:

GLO Boy by ★KCTheProducer★

Much love to KC, he found me when I was a small producer. He brought me up and taught me a lot. The hand-made melody is really nice in this track. I love the guitar lead, the hard-hitting brass, and those background strings. The drums don't disappoint either. Unfortunately, most of his tracks are hidden but you can still hear a few of them on his page.

[[EMBED:https://www.audiotool.com/track/2gmaiic8y09/]]

Track #4:

- Shoot'n - ft. ☯ 酸4C1D734N酸。☯ by BYE BROS (lil nemo)

Another track that I listened to a lot early in my time on here. This song inspired me to try to make my own melodies instead of just using samples. For being a 2016 track, it still sounds fresh to this day. Truly timeless!

[[EMBED:https://www.audiotool.com/track/-_shoot_n_-_ft_4c1d734n/]]

Track #5:

Going Insane FT: O R I O N by TteeraBeats and O R I O N

Yet another track showcasing the ability to make trap without samples in Audiotool. Absolutely love the drums on this one, the 808 is so memorable for me. I find myself coming back every once in a while.

[[EMBED:https://www.audiotool.com/track/og0gd4x19bnr/]]

Track #6:

i miss him. by Uzeh

I loved making this track. I genuinely think it's perfect, there's nothing I would change/would have done differently. Spoiler: Itxmi made the melody!

[[EMBED:https://www.audiotool.com/track/32xzk2819yt/]]

Full Album

Edition Audiotool: Uzeh

• a-records

33

about 10 months ago

1		"$werve" feat. Collab Gang Vinnie BYE BROS (lil nemo) y☯k Inactive User	Vinnie BYE BROS (lil nemo) y☯k Inactive User	3738
2		GLO Boy ★KCTheProducer★	★KCTheProducer★	629
3		- Shoot'n - ft. ☯ 酸4C1D734N酸。☯ BYE BROS (lil nemo) y☯k	BYE BROS (lil nemo) y☯k	1928
4		Going Insane FT: O R I O N TteeraBeats	TteeraBeats	8650
5		i miss him. Uzeh	Uzeh	2145

We’re excited to kick off the new year with the release of the fifth episode in Naswalt's tutorial series, Cooking with naswalt

In this carefully crafted installment, Jacob takes us behind the scenes of his creative process, demonstrating how he constructs a rock track using Audiotool, his home studio, and other tools. This episode dives deep, offering more detail than ever before, making it his longest tutorial to date. We’re grateful for Jacob’s dedication and his relentless effort to deliver invaluable insights for us and for you.

Follow along with the lesson in the studio: cooking with naswalt: rock music interactive lesson

Looking ahead, naswalt plans to explore more genre-focused episodes, promising plenty of fresh and exciting content on the way. Stay tuned!

Here you can check out the interactive track naswalt made for this tutorial: cooking with naswalt: rock music interactive lesson

We are thrilled to launch a new season of the album series with Staff's Stuff 11, showcasing a curated selection of tracks handpicked by our team.

This collection features the favorite tunes of our dedicated staff, including admins, developers, and moderators.

Below, you'll find a recap of the first ten compilations plus the new one. Enjoy the music!

Episode 11 (NEW) 2023-11-15

Staff's Stuff 11

• a-records

35

about 1 year ago

1		Who told you? Gizeh	Gizeh	4529
2		that recital i missed po9t	po9t	3557
3		MONOLITH virux	virux	331
4		Blade of Fire Dj TeK-NjA	Dj TeK-NjA	218
5		one more day Kibbey	Kibbey	567
6		ENNUI CIVILITY	CIVILITY	360
7		comfort song for anastasia canals	canals	176

Episode 10 2023-04-26

Staff's Stuff 10

• a-records

22

about 2 years ago

1		| the dying girl we die	we die	3141
2		Night time Lorries outside my flat Amp7070	Amp7070	400
3		whimsy; distress sky bound zoo	sky bound zoo	1419
4		wake up maso :) backwards b	maso :) backwards b	259
5		hemostasis higa	higa	116
6		OVR Nominal	Nominal	2363
7		waiting in your living room Sinusoidal	Sinusoidal	417
8		lint roller floydpjasper	floydpjasper	278

Episode 9 2023-03-22

Staff's Stuff 9

• a-records

36

about 2 years ago

1		help (demo version) emre girginkaya (voyd)	emre girginkaya (voyd)	510
2		otherworld (plate) øhm	øhm	135
3		alexithymia etterath	etterath	1367
4		ENDLESS DECREPIT CIRCUITRY kurp	kurp	288
5		Fallen Tower iii	iii	1276
6		my mother the maskmaker nico	nico	911
7		Osmosis 333-i9	333-i9	562
8		tempt aeiter	aeiter	195
9		Fog 8 Diceros	Diceros	83

Episode 8 2023-02-02

Staff's Stuff 8

• a-records

39

about 2 years ago

1		Untitled WPX	WPX	478
2		Make Up Your Mind CTG	CTG	315
3		letter to the sun nico	nico	4914
4		laisvas kurp	kurp	276
5		Untitled pherogoo	pherogoo	151
6		The More I Run CIVILITY	CIVILITY	594
7		Homunkulus retro	retro	2867
8		spastic |+| ◁ laeven✟	laeven✟	3285
9		Backyard Wormhole [HOME OFFICE] solar plexus	solar plexus	4295

Episode 7 2017-11-24

Staff's Stuff 7

• a-records

12

about 7 years ago

1		Next SOLACE	SOLACE	987
2		Alternate Khaos - Plutonium Feli:daY brain-walker	Feli:daY brain-walker	417
3		new1 shoes	shoes	235
4		Worth A Shot Jordi Moragues	Jordi Moragues	1013
5		Start Up / Cruising Speed ne.time	ne.time	288
6		To The Last Unkindness and Murder	Unkindness and Murder	268
7		dubs sumad	sumad	313
8		Motherboard Ramiel II	Ramiel II	337
9		The Only Way is Sideways [acloudyskye] acloudyskye	acloudyskye	2249
10		horizons fridgemeat	fridgemeat	731

Episode 6 2017-09-06

Staff's Stuff 6

• a-records

19

about 8 years ago

1		Of unicorns and dragons E-trim	E-trim	1175
2		Into The Sun Jordi Moragues	Jordi Moragues	1269
3		river gorge abstract	abstract	1910
4		Konundrum Bluedude	Bluedude	497
5		signal modulation experiment Jambam	Jambam	1048
6		Tainted Aurora (Ft. acloudyskye) Limauru acloudyskye	Limauru acloudyskye	3329
7		one minus zero tornsage	tornsage	856
8		Sasha, Sissi and the Baba Circle Rodrigo Del Canto	Rodrigo Del Canto	803
9		old plans run Olondro	Olondro	439
10		subway polyspace✧	polyspace✧	1662

Episode 5 2017-08-02

Staff's Stuff 5

• a-records

20

about 8 years ago

1		NOR Intracktion	Intracktion	1079
2		aybmf Dietmar	Dietmar	148
3		The Present SOLACE	SOLACE	447
4		microcosm floydpjasper	floydpjasper	335
5		endless assault Christian-Chrom	Christian-Chrom	258
6		N-Gax Sandburgen	Sandburgen	839
7		dusk two opaqity	opaqity	6203
8		Goodbye... For Now Werbs	Werbs	1203
9		Steel Arbiter Bluedude	Bluedude	551
10		not that kind of love An angel	An angel	400

Show all 11 tracks

Episode 4 2017-07-14

Staff's Stuff 4

• a-records

15

about 8 years ago

1		Kaijin TEQTONIQ	TEQTONIQ	2448
2		Abstract(Remix) notoz	notoz	353
3		Purgatory Ante lucy inugami	Ante lucy inugami	945
4		Data Dub floydpjasper	floydpjasper	199
5		forgive, move on Kepz	Kepz	612
6		necessity. Limauru	Limauru	2538
7		Beauty Sleep Inavon	Inavon	447
8		yes, until i change my mind owtlet	owtlet	1037
9		MON7HS Wrighteous	Wrighteous	956
10		The Importance of Staying Hydrated Giles	Giles	1954

Show all 13 tracks

Episode 3 2017-06-28

Staff's Stuff 3

• a-records

21

about 8 years ago

1		Underground Lake (Standfast Remix) Mr. Standfast	Mr. Standfast	395
2		Displace acloudyskye	acloudyskye	5504
3		Metabolism CGMan	CGMan	1753
4		wandering Kibbey	Kibbey	304
5		Gritty Kepz	Kepz	3283
6		house demo 1 MALIK SUKAI	MALIK SUKAI	267
7		Hadron Leak TechnoSignal	TechnoSignal	210

Episode 2 2017-06-21

Staff's Stuff 2

• a-records

29

about 8 years ago

1		Rupture STAGEFRIGHT	STAGEFRIGHT	3942
2		summit vudumagic	vudumagic	658
3		Here & Now [B] Ante	Ante	400
4		stay ★\\VICTORIA\\★	★\\VICTORIA\\★	271
5		Part-Time Spaceman cripta	cripta	1093
6		Fear Isaji Riq's Vault	Isaji Riq's Vault	157
7		Fashionably Late? Xtract	Xtract	639
8		Going Going Gone Agrippa	Agrippa	163
9		backwards aeiter	aeiter	986

Episode 1 2017-06-14

Staff's Stuff 1

• a-records

38

about 8 years ago

1		Rd valt	valt	1720
2		feat Shadow - No Matter cripta	cripta	1047
3		feeling empty.. ★\\VICTORIA\\★	★\\VICTORIA\\★	680
4		intralude opaqity	opaqity	14249
5		QuasiAnalog Reality TechnoSignal	TechnoSignal	226
6		Wompty cleb	cleb	192
7		tribe five	five	2282
8		Tek Now slopo	slopo	474
9		Dunkle Maschine Tickoffah	Tickoffah	289

In the fourth episode of the "Cooking with Naswalt" tutorial series, naswalt teams up with none other than Audiotool EDM luminary Vulkron . Together, they guide you through the fundamentals of their bass music production techniques. Remix this lesson to get your hands on the exact tools they use here: cooking with naswalt: bass music interactive lesson

https://youtu.be/qNg2IuCJmrs'''

Enjoy this episode for some unique insights, and don't miss out on the other episodes for more audio culinary adventures and mystical alchemy!

Explore the series here: https://www.youtube.com/playlist?list=PLuZhzj4PboMkL07sYEl6qrGwxamAuA24t

We're beyond thrilled to reveal the winner of the EWC Remix Contest! Out of twenty amazing winning tracks in the individual categories, our Judges have chosen the most mind blowing production as their standout pick: A massive congratulations to Audiotool veteran Jetdarc !

This track convinced by referencing existing Tekken soundtracks and capturing the game’s vibe, with excellent production skills to match too.

Jetdarc will fly to London to create his own sample pack at the iconic Abbey Road Studios, teaming up with Spitfire Audio. He gets to bring a plus one for this truly once-in-a-lifetime adventure. The date will be determined depending on Jetdarc‘s availability as well as availability of Spitfire Audio and the Abbey Road Studios. We’ll keep you posted. Congratulations, Jetdac, from all of us! While it’s been a tough decision with so many great tracks, this one has been outstanding.

We also invited everyone to name your favorite with a chance to win a Spitfire Audio LABS+ annual subscription. Among those who chose Jetdarc, it is (Lurk)oden who can claim the prize. Congratulations to you too!

A huge thank you to everyone who participated and made this contest unforgettable. Stay tuned for more thrilling events and opportunities!

The Winning Track

[[EMBED:https://www.audiotool.com/track/k2lzshmci6s/]]

Hello everybody,

After the submission phase officially closed, our panel of judges carefully reviewed all entries to select the winners for each competition category. In a second voting round, our judges have selected the final winner. We will announce the final winner this coming Monday (23 September 2024 at noon CET), who will be heading to London to produce their very own sample pack with Spitfire Audio at the legendary Abbey Road Studios.

UPDATE: EWC Remix Contest Winner announced Connect >> News >> EWC Remix Contest | Grand Prize Winner

If you were among those who picked this very winner, you’ll be among those out of which one voting person receives a one year Spitfire Audio LABS+ subscription.

We want to take a moment to recognize the incredible effort and creativity in all of the submissions. The level of talent was truly inspiring, making the selection process challenging for our judges. So many of the entries were outstanding, and your passion was evident in every piece.

Congratulations to all the winners!

Check the overview: https://ewc.audiotool.com/

Here are the winners!

League of Legends

[[EMBED:https://www.audiotool.com/track/jlvtt83rf/]]

CoD Warzone

[[EMBED:https://www.audiotool.com/track/eatldjm8jln/]]

Free Fire

[[EMBED:https://www.audiotool.com/track/1ho2vr9r/]]

Mobile Legends Bang Bang

[[EMBED:https://www.audiotool.com/track/wpqjl1hno9um/]]

Counter-Strike 2

[[EMBED:https://www.audiotool.com/track/mu13p3w6/]]

Dota 2

[[EMBED:https://www.audiotool.com/track/h2xd2kat/]]

Overwatch 2

[[EMBED:https://www.audiotool.com/track/mxuh5w7484z/]]

Rainbow Six Siege

[[EMBED:https://www.audiotool.com/track/rwl8b0efui/]]

Apex Legends

[[EMBED:https://www.audiotool.com/track/mkspn0rsfirq/]]

Honor of Kings

[[EMBED:https://www.audiotool.com/track/qbus1iazx/]]

Teamfight Tactics

[[EMBED:https://www.audiotool.com/track/a6e9ogysz/]]

Fortnite

[[EMBED:https://www.audiotool.com/track/1v68pi482/]]

Street Fighter 6

[[EMBED:https://www.audiotool.com/track/k0021yvki5h5/]]

FC24

[[EMBED:https://www.audiotool.com/track/wh2k2koymp/]]

StarCraft 2

[[EMBED:https://www.audiotool.com/track/33vu4j6y01/]]

CoD Modern Warfare 3

[[EMBED:https://www.audiotool.com/track/oyypuu7xvh/]]

Rennsport.gg

[[EMBED:https://www.audiotool.com/track/3cy25bs1n/]]

Tekken 8

[[EMBED:https://www.audiotool.com/track/k2lzshmci6s/]]

PUBG Battleground

[[EMBED:https://www.audiotool.com/track/vfw4stlnlg/]]

Rocket League

[[EMBED:https://www.audiotool.com/track/z99trxks/]]

EWC | Remix Winners

EWC | Remix Winners

• a-records

33

about 1 year ago

1		George Tsiokris - You're Talking To A Legend GeorgeTsiokris	GeorgeTsiokris	1533
2		Esports World Cup Remix by Akamodo (Inspired by Call of Duty Warzone) Akamodo	Akamodo	592
3		into the red - Esports World Cup Anthem [Free Fire] po9t (archive)	po9t (archive)	1040
4		Mobile Legends (brainwalker`s Remix) brain-walker	brain-walker	883
5		EWC ANTHEM (Fractae Remix) Fractae	Fractae	256
6		Esports World Cup Anthem (prod. Juss Bosco) JussBosco	JussBosco	1223
7		Carnaval do Paraíso (EWC Remix Contest) unnu	unnu	195
8		Esports World Cup Anthem Synthwave maatl111	maatl111	286
9		Here I am_EWC ReMix ApexLegends Sasagawa	Sasagawa	203
10		EWC Anthem (Joppe Schippers Remix) joppeschippers	joppeschippers	126

Show all 20 tracks

EWC | Best of Anthems

EWC | Best of Anthems

• a-records

15

about 1 year ago

1		League of Legends (brainwalker`s Remix) brain-walker	brain-walker	1494
2		SUNCLOUD REMIX - Esports World Cup Anthem suncloud	suncloud	116
3		In the middle of a storm Nikitrone	Nikitrone	79
4		Bloodsong - Esports World Cup [League of Legends] po9t (archive)	po9t (archive)	591
5		League of Legends izm_usic	izm_usic	195
6		E.W.C. Anthem - Jays RMX JayFK	JayFK	146
7		Esports World Cup Anthem by Nadi-ron Nadi-ron	Nadi-ron	53
8		George Tsiokris - You're Talking To A Legend GeorgeTsiokris	GeorgeTsiokris	1533
9		Tekken8 (brainwalker`s Remix) brain-walker	brain-walker	68
10		Esports World Cup Anthem #2 (Franz Fritz) FranzFritz	FranzFritz	124

Show all 99 tracks